Forgotten Sons: When the now titled Dark Album (Love Records LRLP 227) was released in late 1977, Wigwam had ceased to exist. This was a pity, as the album in itself was a great improvement from Lucky Golden Stripes And Starpose and, more important to the fans, featured Jukka Gustavson as a guest musician. Unfortunately, Love Records were facing bankruptcy by 1978, and had no means of supporting Wigwam, which also meant that the band dissolved. An (un)official Wigwam Farewell Show took place at Punkarock festival in the summer of 1978. The ironic part about all of this was that Wardance, the proposed single off the album, was a funky number that would have surely been a hit and made stars out of this band. To rub salt into the wound, Virgin Records released a double album of Wigwam material calledRumours On The Rebound (VGD 3503) that featured a whole album's worth of material from the Dark Album which the label had previously rejected.
Wiki: Two Sides Of the Moon is the only solo album from the primary drummer from The Who, Keith Moon. Surprisingly, rather than using the album as a chance to showcase his legendary drumming skill, Moon chose to sing on all the songs. He only drums on "Crazy Like A Fox", "The Kids Are Alright" and "Move Over Ms. L" and plays percussion on "Don't Worry Baby". The album features contributions from Ringo Starr, Harry Nilsson, Joe Walsh, Jim Keltner, Bobby Keys, Klaus Voorman, John Sebastian, Flo & Eddie (Mark Volman & Howard Kaylan of The Turtles), Spencer Davis, Dick Dale and Suzi Quatro's sister Patti Quatro. Keith Moon was inspired to release a solo album after bandmates John Entwistle and Roger Daltrey both released their own albums. With Pete Townshend soon to write a solo album, Moon decided to make one too. Moon, a big fan of Beach Boys-style surf rock decided to make a cover album, with help from his good friend Ringo Starr. The album was widely considered a joke, with Keith showing his poor singing voice, and received many bad reviews. Moon was not dissuaded by the reviews, and started work on another similar album. The album was never finished, though. Two Sides of the Moon was re-released by Repertoire Records in 1997, including the finished songs that Moon had made for his next album. Two Sides... was again re-released by Castle Music and Sanctuary Records in July, 2006, as a two-disc Deluxe Edition, featuring the original 10 songs plus 41 bonus tracks. Swedish model Annette Walter-Lax, then Moon's girlfriend, appeared on the cover of the album.
genre: pop rock country: uk quality : mp3 (224vbr) time: 39`56" size: 55 mb
01 - Walking in my sleep 3:28 02 - Parting should be painless 3:40 03 - Is there anybody out there? 4:16 04 - Would a stranger do? 3:32 05 - Going strong 5:09 06 - Looking for you 3:20 07 - Somebody told me 3:06 08 - One day 3:10 09 - How does the cold wind cry 3:45 10 - Don't wait on the stairs 6:30
01 - Circles (Instant Party) 2:30
02 - Disguises 3:13
03 - Batman 1:27
04 - Bucket T 2:10
05 - Barbara Ann 2:02
06 - In The City 2:25
07 - I've Been Away 2:10
08 - Doctor Doctor 3:01
09 - The Last Time 2:50
10 - Under My Thumb 2:37
11 - Someone's Coming 2:27
12 - Mary Anne With The Shaky Hand 3:16
13 - Dogs 3:07
14 - Call Me Lightning 2:24
15 - Dr. Jekyll And Mr. Hyde 2:38
16 - Join Together 4:25
17 - Don't Know Myself 4:59
18 - Heaven And Hell 3:34
19 - When I Was A Boy 3:32
20 - Let's See Action 4:00
21 - Relay 3:56
22 - Waspman 3:07
23 - Here For More 2:26
24 - Water 4:44
25 - Baby Don't You Do It 6:18
genre: rock
country: uk
quality : lossless (flac, cue+log+scans)
time: 41`06" size: 250 mb
issue: MCABD-31221, Steve Hoffman Mastering (compilation)
wikipedia: Who's Missing is a compilation of rare and previously unreleased songs by The Who.
Reviewing for AllMusic critic Richie Unterberger wrote of the album "Some of these [songs] are really good: the raucous 1965 cover of James Brown's "Shout and Shimmy," "Heaven and Hell" (one of John Entwistle's better tunes), the 45 version of "Mary Anne with the Shaky Hand," the obscure Roger Daltrey tune "Here for More." Other cuts are pretty peripheral, like the lame '65 R&B of "Lubie (Come Back Home)," or the live version of "Bargain.""
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