R.I.P. of Oldish Psych & Prog blog

feedburner

Login form
Search
Friendly Sites
  • A Maquina de Faser Sonhos
  • A Pound for a Brown
  • Arlequins
  • Blue Mammoth
  • Boyz Make Noize
  • Culture for All
  • Electric Music for the Mind and Body
  • Deserter's Songs
  • 18 Rodas
  • HeavyPsychMan Blog
  • improshit
  • KMXT Free Form Radio
  • the List
  • Museo Rosenbach
  • Musiques
  • Old Melodies
  • Prog & Psych
  • Rock BlogRoll
  • Sam1957
  • Schnickschnack Mixmax
  • Silverado Rare Music
  • That was Music
  • Todoblog
  • When You Motor Away
  • Create your own site
  • Entries archive
    facebooklogo

    Рейтинг@Mail.ru
    Рейтинг@Mail.ru Яндекс.Метрика musicaggregatorlogo Web Directory Subscribe

    Main » Entries archive




    genre: psych, avant

    country: japan

    quality : mp3 (192k, cover)

    time: 1:02'20" size: 88 mb


    Reverse of Universe I (Kawabata)

    Space Bambino (Siam/Cotton)
    ~Intersteller Over Dope (kawabata Tsuyama/Koizumi)
    Sweet Juicy Lucy (Kawabata/Eddie)
    Mammary Intercourse (Kawabata / Tsuyama/Koizumi)
    Hare Hare Hallelujah (kawabata)
    ~Blow Out super High (Kawabata/Tsuyama/Yoshida)
    Good-Bye Ice Cream (Tsuyama/Cotton)
    ~Stone Blind Blue Heaven (Kawabata/Eddie)
    Reverse Of Universe II (Kawabata)


    Cotton Casino: vocal, synthesizer

    Tsuyama Atsushi: bass, vocal, acoustic guitar, cosmic joker

    Koizumi Hajime: drums, monk

    Higashi Hiroshi: synthesizer, fishing rod

    Yoshida Masayuki: keyboards

    Suhara Keizo: inpatient

    Kaneko Tetsuya: tabla

    YoKo: drone machine, photo

    Ayano: Space Hi!

    Father MOO: telstar gnome

    Eddie & Bill (COA): French voices

    Kawabata Makoto: electric guitars, bowed sitar, q'anoon, electric organ,keyboard, RDS900

     
    Views: 2978 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)


    genre: psych, avant

    country: japan

    quality : mp3 (192k, covers)

    time: 1:16'29" size: 104 mb

     

    Cosmic Audrey (Kawabata/Audrey)
    ~ Acid Takion (Kawabata / Tsuyama/Koizumi)
    White Summer Of Love (Tsuyama/Cotton)
    ~ Third Eye Of The Whole World (Kawabata)
    Golden Bat Blues Dead (Kawabata / Tsuyama/Koizumi)
    ~ Mr. Hardy Guidey Man (Trad./Tsuyama)
    Magic Aûm LSD (Magic Aûm)
    Astrological Overdrive (Kawabata/Haco)
    Right About Rainbow I (Higashi/Johan)
    ~ Your My Only Super Sunshine (Kawabata/Tsuyama/Koizumi)
    ~ Right About Rainbow II (Higashi/Johan)
    Blue Velvet Blues (Kawabata/Cotton)

     

    Cotton Casino: vocals, space whisper, synthesizer

    Tsuyama Atsushi: monsterbass, acoustic guitar, vocal, cosmic joker

    Koizumi Hajime: drums, monk

    Higashi Hiroshi: synthesizer, semi-acoustic guitar, fishing rod

    Yoshida Fumio: hardy-gardy

    Suhara Keizo: bass, video camera

    Yoko: cheese cake, photograph

    Lovely Ayano: space Hi!

    Johan Wellens: cosmic narration, freak power

    Magic Aûm Gigi: voice, erotic underground

    Siwaporn: voice

    Audrey Ginestet: cosmic voice

    Siwaporn: voice

    Kawabata Makoto: electric guitars, speed guru

    Father MOO: TV gnome

     

    Views: 2558 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)



    genre: psych, avant

    country: japan

    quality : mp3 (192k, cover)

    time: 53'05" size: 75 mb


    Wiki


    "Acid Mothers Prayer"
    "Speed Guru"
    "From The Melting Paraiso U.F.O. I"
    "The Top Head Pixies"
    "Zen Feedbacker"
    "Coloradoughnut"
    "From The Melting Paraiso U.F.O. II"
    "Amphetamine A Go Go"
    "Pink Lady Lemonade"
    "Satori LSD"
    "Hawaiian Brownie"
    "Acid Mothers Temple For All!"


    The songs on the CD are not indexed as individual tracks, i.e. they are all parts of one 52:59 long track.


    Cotton Casino – voice, sitar, synthesizer
    Higashi Hiroshi – guitar, synthesizer, effects, fishing rod
    Koizumi Hajime – drums, percussion, soprano saxophone, monk
    Takahashi Atsuki – drums, penguin
    Suhara Keizo – bass
    Suzuki Chisen – voice
    Mano Kazuhiko – tenner saxophone, bass clarinet, percussion
    Sakakibara Daiji – didgeridoo, earth spirit
    Yasuda Hisashi: – piano, magic cane
    Johan Wellens: – cosmic narration, freak power
    Yoko: – violin, cheese cake
    Ichi: – dog
    Jijiji: – synthesizer
    Kawabata Makoto – guitars, synthesizers, sarangi, alto recorder, oriental clarinet, cosmic ring modulator, speed guru, producer, engineer, artwork


    Views: 3159 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)



    genre: beat

    country: uk

    quality : mp3 (256k, scans)

    time: 1:09'20"/2 size: 139 mb

    issue: 1997


    AMG Review by Bruce Eder:

    Billy J. Kramer's Listen... is one of the more important non-Beatles Liverpool albums of its era, and also one of the better ones. Additionally, it's almost as much a tribute to George Martin's skill as a producer as it is to anything that Billy J. Kramer or the Dakotas brought to the sessions. It shows off the mixture of driving beat, heavy guitars, and emotionally expressive, American-style vocals that characterized the sound of the city, along with the lyrical balladry that the Beatles (especially McCartney, in Martin's hands) had added to the formula. Only a tiny handful of the tracks, such as "Sugar Babe," "Great Balls of Fire," and perhaps "Da Doo Ron Ron," really qualify as a classic, thumping Liverpool rockers, shouters with a heavy bass and raw vocals. The tendency for much of this album is, rather, to focus on Kramer's romantic, ballad style, to which he was marginally suited with his limited vocal abilities. "I Know" (credited to George Martin and Bob Wooler, and which tries hard to be a rewrite of "Do You Want To Know A Secret"), the standard "The Twelfth of Never," "Tell Me Girl," "Still Waters Run Deep," and "It's Up To You" were the direction that someone saw Kramer's voice taking him. Kramer's double-tracked vocals cover a multitude of natural flaws in that voice; only "Tell Me Girl" shows the fraying edges of his singing, and the band keeps a such a solid beat, that it comes off well. And then there are the rocking ballads, which show off the Merseybeat sound as the Beatles had altered it as early as 1963, at its best— "Dance With Me," "I Call Your Name," "Beautiful Dreamer," and Leiber and Stoller's "Yes" (which was actually covered in a better version by Johnny Sandon and the Remo Four on Pye). "Beautiful Dreamer" shows Kramer and the band trying hard to sound like the Beatles on their first album and succeeding 2/3 of the way, except that Ringo would've had a punchier beat and George Harrison a more angular lead guitar part—they get closer to that sound on their cover of Lennon and McCartney's "I Call Your Name." Here as on several other tracks, Martin's piano covers up holes that double-tracking Kramer's voice doesn't. The EMI 100th Anniversary series reissue combines the mono and stereo versions of the album on one CD—the mono is a LOT punchier and heavier, but as usual in Parlophone albums of this period, the stereo mixes reveal a wealth of details in terms of how the rhythm and lead guitar parts, and the bass were put together, and 24-bit processing has left the instruments so clean, that this set of tracks are worth hearing as well, even if it sounds like Kramer is singing from one side of the room and the band working on the other. Mike Maxfield's lead guitar parts on "Sugar Babe" etc. are also worth isolating.

     
    Views: 2446 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)


    genre: beat

    country: uk

    quality : lossless (flac separate, booklet scans,  size: 361 mb), mp3 (320k, booklet scans,  size: 186 mb)

    time: 1:01'50"

    issue: 1998 remaster

     

    Side 1

    "Beautiful Delilah" (Chuck Berry) – 2:07

    "So Mystifying" – 2:53

    "Just Can't Go to Sleep" – 1:58

    "Long Tall Shorty" (Herb Abramson, Don Covay) – 2:50

    "I Took My Baby Home" – 1:48

    "I'm a Lover Not a Fighter" (J. D. "Jay" Miller) – 2:03

    "You Really Got Me" – 2:13

    Side 2

    "Cadillac" (Bo Diddley) – 2:44

    "Bald Headed Woman" (Trad/Arr Shel Talmy) – 2:41

    "Revenge" (R. Davies, Larry Page) – 1:29

    "Too Much Monkey Business" (Chuck Berry) – 2:16

    "I've Been Driving On Bald Mountain" (Trad/Arr Shel Talmy) – 2:01

    "Stop Your Sobbing" – 2:06

    "Got Love If You Want It" (J. Moore) – 3:46

    UK release: 2 October 1964 (Pye NPL 18096 mono: NSPL 83021 stereo)

     

    cd bonus tracks:

    "Long Tall Sally" (Robert Blackwell, Enotris Johnson, Richard Penniman) – 2:12

    "You Still Want Me" – 1:59

    "You Do Something to Me" – 2:24

    "It's Alright" – 2:37

    "All Day and All of the Night" – 2:23

    "I Gotta Move" – 2:22

    "Louie, Louie" (Richard Berry) – 2:57

    "I Gotta Go Now" – 2:53

    "Things Are Getting Better" – 1:52

    "I've Got That Feeling" – 2:43

    "Too Much Monkey Business" [Alternate Take] (C. Berry) – 2:10

    "I Don't Need You Any More" – 2:10

     

    Ray Davies – guitar, harmonica, keyboards, lead vocals

    Dave Davies – guitar, backing vocals

    Peter Quaife – bass, backing vocals

    Mick Avory – tambourine, drums

    +

    Jimmy Page – twelve string guitar, acoustic guitar

    Jon Lord – piano

    Bobby Graham – drums

     

    Views: 2386 | Date: 10.02.2010 | Rating: 0.0 | Comments (1)


    genre: prog folk

    country: uk

    quality : lossless (ape, cue, log, booklet scans)

    time: 47'27"+46'15" size: 595 mb

    issue: 2cd live 2004 remaster

     

    Disc one
    "Introduction by Claude Nobs"
    "No Lullaby" – 5:34
    "Sweet Dream" – 4:52
    "Skating Away On The Thin Ice Of The New Day" – 5:20
    "Jack In The Green" – 3:36
    "One Brown Mouse" – 4:07
    "A New Day Yesterday" – 3:07
    "Flute Improvisation / God Rest Ye Merry Gentlemen / Bourée†" – 5:41
    "Songs From The Wood" – 2:31
    "Thick as a Brick" – 12:30 (Anderson / Bostock)
    † Bourée by Bach, arranged by Anderson.

     

    Disc two
    Introduction by Ian Anderson
    "Hunting Girl" – 6:00
    "Too Old To Rock 'n' Roll, Too Young To Die" – 4:19
    "Conundrum" – 6:54 (Barlow / Barre)
    "Minstrel In The Gallery" – 5:47
    "Cross-Eyed Mary" – 3:39
    "Quatrain" – 1:50 (Barre)
    "Aqualung" – 8:34 (I. Anderson / J. Anderson)
    "Locomotive Breath" – 5:31
    "The Dambusters March/Medley/Aqualung (Reprise) (uncredited)" – 3:27 (Anderson / Coates)

     

    Unless noted otherwise, all songs by Ian Anderson.

    Ian Anderson – vocals, flute, guitar
    Martin Barre – electric guitar, mandolin, marimba
    John Evan – piano, organ, accordion, synthesizers
    Barriemore Barlow – drums, glockenspiel
    David Palmer – portative pipe organ, synthesizers
    John Glascock – bass guitar, vocals

      ... Read more »
    Views: 2248 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)


    genre: prog folk

    country: uk

    quality : lossless  (WavPack, cue, log, scans)

    time: 45'14" size: 319 mb

     

    Minstrel in the Gallery 8:09 *
    Clod Wind to Valhalla 4:17
    Black Satin Dancer 6:51
    Requiem 3:41
    One White Duck / 0-10 = Nothig At All 4:35
    Baker St. Muse 16:10 including:
       Pig-Me and the Whore
       Nice Little Time
       Crash-Barrier Woltser
       Mother England Reverie
    Grace 0:33

     

    All selections written by Ian Anderson, except * some music written by Martin Barre.

    Arrangements for orchestra were written by David Palmer.

     

    Ian Anderson - sang and played ac. gtr and flute;

    Martin Barre - played el. gtr;

    Barriemore Barlow - played drms and prcssn.

    John Evan - played pno and orgn;

    Jeffrey Hammohd-Hammond - played bss gtr and str. bss.

     
    Views: 2229 | Date: 10.02.2010 | Rating: 0.0 | Comments (0)

    « 1 2 ... 644 645 646 647 648 ... 653 654 »

    Action: 10% disc1ount coupon14 for Depositfiles Gold accounts for 6 months and 1 year periods. The coupon is very simple in usage: you enter it on the Gold account payment page and after the prices are recalculated can buy an account with the discount.
    Your coupon: j16v917255n7tjh9af6odzgk7cjgwgg2

    Oldish Psych & Prog offers progressive psychedelic rock music mp3 lossless downloads