Side A
"SYNTELMAN'S MARCH OF THE ROARING SEVENTIES" (C. Karrer, F. Rogner) – 15:51
"In the Glass Garden" (1:39)
"Pull Down Your Mask" (4:39)
"Prayer to the Silence" (1:04)
"Telephonecomplex" (8:26)
Side B
"RESTLESS SKYLIGHT-TRANSISTOR-CHILD" (J. Weinzierl, F. Rogner) – 19:33
"Landing in a Ditch" (1:12)
"Dehypnotized Toothpaste" (0:52)
"A Short Stop at the Transylvanian Brain-Surgery" (5:00)
"Race From Here to Your Ears" (5:20)
"Little Tornadoes"
"Overheated Tiara"
"The Flyweighted Five"
"Riding on a Cloud" (2:33)
"Paralyzed Paradise" (3:07)
"H.G. Wells' Take Off" (1:26)
Side C
"CHAMSIN SOUNDTRACK" (C. Karrer, J. Weinzierl, F. Rogner, L. Meid)
"The Marylin Monroe-Memorial-Church" [improvisation] – 18:05
Side D
"CHAMSIN SOUNDTRACK" (C. Karrer, J. Weinzierl, F. Rogner, L. Meid)
"Chewing Gum Telegram" – 2:41
"Stumbling Over Melted Moonlight" – 4:33
"Toxicological Whispering" – 7:45
Chris Karrer - guitars, violin, vocals "Pull Down Your Mask," "Telephonecomplex"
John Weinzierl - guitars, piano, vocals "Paralyzed Paradise"
Falk Rogner - organ, electronics
Lothar Meid - bass guitars, vocals "A Short Stop at the Transylvanian Brain-Surgery," "Riding on a Cloud"
Peter Leopold - drums & percussion, piano
Renate Knaup-Krötenschwanz - vocals "Riding on a Cloud"
with:
Jimy Jackson - organ, choir-organ, piano
Al Gromer - sitar
Rolf Zacher - vocals "H.G. Wells' Take Off"
from Aquarius Records :
Originally released back in 1971, "Tanz Der Lemminge" was the third album from the second incarnation of Amon Duul. Where the first incarnations of Amon Duul (along with Amon Duul I, there was supposedly an Amon Duul 0 from the mid-'60s) had much more of a anarchist / socio-political bent, Amon Duul II was the vehicle for the more musically minded folk from the collective, fully embracing the sonic potential of psychedelia. Oftentimes under-appreciated in comparison to the Krautrock triumvirate of Neu!, Can, and Faust, Amon Duul II had more than a fair share of moments that could rival the works of those three! That said, "Tanz Der Lemminge" may be one of the lesser works from Amon Duul II, but is still better than most of their Krautrock comtemporaries. This album is a sprawling psychedelic mess of free-form songs that filter early-Pink Floyd space-folk wispiness through some occasionally heavy prog leanings. Of particular note is the epic improv track "The Marilyn Monroe-Memorial-Church" as a meandering freakout with lots of organs, pianos, and phasing guitars that will make fans of Acid Mother's Temple very happy. "Tanz Der Lemminge" is recommended only after you've fallen in love with "Yeti" and "Phallus Dei," which totally kick ass.
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