genre: beat
country: uk
quality: lossless (flac, cue, log, scans)
time: 1:03'20" size: 671 mb
1.8.1965 (afternoon show):
01. "Twist And Shout" 1:41
02. "She's A Woman" 2:43
03. "Can't Buy Me Love" 2:29
04. "I'm A Loser" 3:00
05. "I Wanna Be Your Man" 2:50
06. "A Hard Day's Night" 2:46
07. "Baby's In Black" 2:40
08. "Rock And Roll Music" 2:15
09. "Everybody's Trying To Be My Baby" 2:30
10. "I Feel Fine" 2:29
11. "Ticket To Ride" 3:56
12. "Long Tall Sally" 2:38
1.8.1965 (evening show):
13. "Twist And Shout" 1:29
14. "She's A Woman" 3:03
15. "I'm A Loser" 3:09
16. "Can't Buy Me Love" 2:33
17. "Baby's In Black" 2:45
18. "I Wanna Be Your Man" 2:26
19. "A Hard Day's Night" 2:53
20. "Everybody's Trying To Be My Baby" 2:44
21. "Rock And Roll Music" 2:17
22. "I Feel Fine" 2:37
23. "Ticket To Ride" 3:03
24. "Long Tall Sally" 2:25
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genre: psych, beat
country: uk
quality: lossless (flac, cue, log, covers)
time: 32'48" size: 228 mb
misc.: japan
Side one
"Can't Buy Me Love" – 2:19
"I Should Have Known Better" – 2:39
"Paperback Writer" – 2:14
"Rain" – 2:58
"Lady Madonna" – 2:14
"Revolution" – 3:21
Side two
"Hey Jude" – 7:05
"Old Brown Shoe" (George Harrison) – 3:16
"Don't Let Me Down" – 3:30
"The Ballad of John and Yoko" – 2:55
All tracks written by Lennon/McCartney, except where noted.
also:
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 genre: psych country: uk quality: lossless (flac, cue, log, scans) time: 36'38" size: 319 mb
Tapestry of Delights: Very trendy track titles such as Distillation, Equivalence and Psychonebulous (all credited to H. Tical), as well as the lack of info on the sleeve, are more often than not a bad omen. This all-instrumental exploitation album, however, has some hidden surprises for us. The ridiculous liner-notes (mentioning life before birth, no less) notwithstanding, almost each and every track is a short heavy acid-rock symphony which make the title of the album ring true. Disturbing, subtly dissonant and even downright menacing, I wouldn't recommend to listen to this daily, but I would certainly recommend it in small doses. A good soundtrack to your worst expectations, this is an unclassifyable hybrid of orchestrated pop and trips gone awry. For the strong-souled among us. The "Tical" monicker is thought to be a pseudonym and as the album and a 45 with two non album tracks were issued in Italy on the Spider label (distributed by Vedette), it's probable that this album was the work of an Italian artist. (Marcel Koopman / Gianpaolo Banelli) |
genre: heavy
country: us
quality: lossless (ape, cue, log, scans)
time: 40'51" size: 266 mb
01. "Jessica" 4:47
02. "Whiskey Vengeance" 4:14
03. "Song for a brother" 5:20
04. "You gotta roll" 5:09
05. "Breach of lease" 9:04
06. "Kool-aid-kids" 6:30
07. "A certain kind" 4:24
08. "America, America" 1:24
JIM RUTLEDGE ld vcls
LEE PICKENS ld gtr, vcls
NICK TAYLOR gtr, vcls
ED GRUNDY bs, vcls
STEVE HILL keyb'ds, vcls
RICK COBB drms
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genre: heavy
country: us
quality: lossless (ape, cue, log, scans)
time: 43'02" size: 264 mb
misc.: 1995
01. "Lucky In The Morning" 5:48
02. "Cheater" 6:52
03. "Sable And Pearl" 4:58
04. "Fallin'" 4:06
05. "Children's Heritage" 3:34
06. "Dier Not A Lover" 4:10
07. "D.O.A." 8:30
08. "Fancy Space Odyssey" 5:11
JIM RUTLEDGE ld vcls
LEE PICKENS ld gtr, vcls
NICK TAYLOR gtr, vcls
ED GRUNDY bs, vcls
STEVE HILL keyb'ds, vcls
RICK COBB drms
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genre: heavy
country: us
quality: lossless (ape, cue, log, scans)
time: 48'37" size: 332 mb
misc.: 1995
Fuzz Acid & Flowers:
From Fort Worth, Texas, this band had quite a prolific output, but with little success. Probably their best known track is D.O.A. from their second album, which is a heavy organ-based threatening piece with police sirens, and is very much in the anti-war, anti-space race, anti-everything vein of the era. Another notable cut Breach Of Lease off their third album is intense, starting slowly and building up to an amazingly heavy climax. The live version is also particularly hot, whilst the humorous Melvin Laid An Egg from the debut is another musical high point.
Actually, Cobb didn't play on the debut album; Rutledge played drums on it and early on, John Nitzinger too was considered (somewhat) a member of the band and wrote or co-wrote many of the songs.
After the live album, Rutledge and Pickens left and Warren Ham joined as a vocalist and woodwind player for the last two albums. For their final album (Whirlwind Tongues), Cobb left and was replaced by drummer Randy Reeder who had previously played in John Nitzinger's band and later played with a group called Alexis. Warren Ham later went on to form the Ham Brothers and released an album as such in 1977. Later still, he went on to play in former Kansas guitarist/keyboardist Kerry Livgren's Christian rock group AD for, we believe, two LPs - Time Line and Art Of The State. In the '80s Warren was also in Black Rose.
(Chris Snow / Hans Hoekstra / Ron Bronholc)
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 genre: blues, jazz country: uk quality: lossless (ape, cue, log, covers) time: 46'29" size: 286 mb
"Drive Me" – 3:19 "Variations on Nainos" – 3:47 "See My Way" – 5:04 "Long Bomb Blues" – 1:07 "The Squirreling Must Go On" – 4:22 "San Francisco Sketches: (a) Beach Scape (b)Fisherman's Wharf (c) Telegraph Hill (d) Close the Door, I'm Falling Out of the Room" – 8:11 "Worry" – 3:43 "Toys" – 3:03 "To Rassman" – 1:29 "Send Your Son to Die" – 4:25 bonus "Summer Day" – 3:48 "Walk On The Water" – 3:42
Mick Abrahams — guitar, vocals, seven-string guitar, tenor guitar Jack Lancaster — flute, violin, electric violin, tenor sax, baritone sax, soprano sax, phoon horn, cornet Andy Pyle — electric bass, six-string bass Ron Berg — drums, tympani Graham Waller — piano ("Drive Me", "Beach Scape")
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genre: blues, jazz
country: uk
quality: lossless (ape, cue, log, scans)
time: 37'10" size: 222 mb
misc.: 2000
Tapestry of Delights:
Formed in November 1968 by Mick Abrahams after he left Jethro Tull. They recorded two good rock albums and toured the US. Their first album had a pig's head on the front cover with a ring through its nose, a fag in its mouth, sunglasses and headphones. The playing on the album is good but it isn't always matched by the material. Still, it had its moments, listen out particularly for some classic progressive rock on The Modern Alchemist and Ain't Ya Coming Home, Babe? which conclude each side of the album. Their second album saw them move away from their blues roots towards a more soulful sound. The See For Miles CD reissue of this contains two additional cuts, both sides of their second 45. In September 1970, after Abrahams had left, Pete Banks joined from Yes but the new line-up just didn't gel and the band split up at the end of 1970.
Mick Abrahams formed his own band. Andy Pyle joined Savoy Brown and was then in a later incarnation of Juicy Lucy with Ron Berg.
The band performed briefly in 1974 (line-up C) but had no vinyl output.
(Vernon Joynson / Huey Walker)
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