Oldish Psych and Prog

from A Guide to German Progressive & Electronic Rock :

Dzyan recorded a unique kind of electric ethnic jazz-rock. The band look their name from the Indian book of creation. They formed in January 1972 as a quintet. After just two months the self-titled debut album was recorded, and then released on the minor Aronda label in April 1972. This first line-up of the band was just a studio project and promptly disintegrated. Lothar Scharf played drums in a revamped Dzyan's first live gigs, before he joined Virgo. In November 1972 Dzyan were reduced to a trio. In Studio Dierks, Stommeln, they recorded Time Machine, produced by Peter Hauke and released on Bacillus in November 1973. This was an excellent jazz-rock album consisting of four tracks. "Kabisrain" was an Eastern-oriented, ethnic number featuring saz, quite similar to Embryo. The other three tracks were electro acoustic, inspired by King Crimson and perhaps jazz records released on the ECM label. The strongest cut on the album was the 18 minute long title track. Dzyan's second album for Bacillus (also recorded by the Hauke & Dierks team) was recorded in October 1974. It had a similar style to their first, but was a bit more acoustic and Indian-flavoured. Late in 1974 Reinhard Karwatky, the last remaining original member, decided to leave the group. This concluded the story of Dzyan. Along with Embryo, Between and Agitation Free they were pioneers of the world music. Giger and Marron eventual recruited Gunter Lenz In 1976 and recorded one further album as Giger, Lenz & Marron (Niagara MIX 1011-N).