pitchfork:
Picture the great American folk artists of the 1960s and 70s sitting for a group portrait; Karen Dalton's there, but her figure's a blur, flitting restlessly out of frame. Dalton hated recording and felt at best ambivalent about performing in front of strangers (she much preferred playing for friends, on porches and in living rooms), which means that although she's got one of those voices that gets talked about in hushed, reverent tones by everyone from Bob Dylan to Devendra Banhart, she preferred to sit out the kind of rituals that secure a person a snug spot in the canon. She didn't don face paint and a gypsy costume and hit the road with the Rolling Thunder Revue, she didn't dance The Last Waltz under Scorsese's spotlights, and-- years after her flight from Greenwich Village to Colorado-- she's present on the Basement Tapes only as the elusive subject of Richard Manuel's beguiled plea: "Dear Katie, if you can hear me…/ How much longer will you be gone?"
01. Sangre Del Sol 4:33
02. La Tierra Del Gitano 3:56
03. Pascual Tal Cual 5:41
04. Humanoides 4:37
05. Va A Salir Un Lugar 13:50
06. Un Blues Para Adelina 6:08
EDELMIRO MOLINARI - lead gtr, vcls
RINALDO RAFANELLI - bs, vcls
OSCAR MORO - drms
01. A Summer Song 2:40
02. Willow Weep For Me 2:32
03. If She Was Mine 1:30
04. Like I Love You Today 2:46
05. The Truth Often Hurts The Heart 2:49
06. Dirty Old Town 1:47
07. Now And Forever 2:07
08. From A Window 2:08
09. My How Time Goes By 2:52
10. What Do You Want With Me 2:50
11. Donna Donna 2:33
12. If You've Got A Heart 2:19
13. No Other Baby 2:18
14. Only Those In Love 2:21
15. You Know What 2:30
16. A Very Good Year 2:57
17. If I Loved You 3:02
18. Yesterday's Gone 2:09
wikipedia:
Second album. Matthew Greenwald in a retrospective review for Allmusic felt that it is "an excellent and revolutionary album that was a quantum leap for both Tim Buckley and the audience".
"No Man Can Find the War" (Larry Beckett, Buckley) – 2:58
"Carnival Song" – 3:10
"Pleasant Street" – 5:15
"Hallucinations" (Beckett, Buckley) – 4:55
"I Never Asked to Be Your Mountain" – 6:02
"Once I Was" – 3:22
"Phantasmagoria in Two" – 3:29
"Knight-Errant" (Beckett, Buckley) – 2:00
"Goodbye and Hello" (Beckett, Buckley) – 8:38
"Morning Glory" (Beckett, Buckley) – 2:52
11. You Set The Scene 6:50
wikipedia:
... At college in Nashville, Vytas took post-graduate courses in Electronic music with Professor Gilbert Trythall, and graduated with honors in 1972. In 1971 he started a duo named Vitas & Mafe with Venezuelan singer María Fernanda Márquez.
In 1972 Brenner formed his own band, La Ofrenda (The Offering) and recorded 5 very successful LPs until 1979. With Ofrenda he started his pioneer work with compositions for combinations of electric and electronic instruments (synthesizers) with acoustic instruments and piano; and blending Progressive-Symphonic Rock, Latin rhythms, and Venezuelan traditional themes, with astounding results.
Brenner recorded several remarkable LPs, each one a breakthrough, as he was in fact developing a new genre in giant leaps. En 1982 a somewhat reunited Ofrenda performed at the "Teatro de Bellas Artes de Maracaibo", but was coldly received by the public, followed by strong press criticism. In 1989 the Venezuela Symphony Orchestra performed his work "Oro Negro" ("Black Gold") at the Caracas' famed Teatro Teresa Carreño. In 1989 he released the CD album entitled "Amazonia". He was commissioned to compose works for "Viajando con Polar", a series of short documentaries about Venezuela's regions, depicting their beautiful landscapes and rich folklore. He created music for various films, such as "Adiós Alicia", "Se llamaba SN", and playwright Román Chalbaud's "Carmen la que contaba 16 años". All the while, Brenner was a very successful studio musician, composing and performing in countless radio jingles, TV commercials and presidential campaigns. At the international level, his old and rare vinyl records sell for between US$70 to US$220.
Brenner died on 18 March 2004 of a heart attack in Salzburg, Austria at the age of 57.
wikipedia:
Blunstone's plaintive, wistful voice was one of the factors making The Zombies' single, "She's Not There" (written by fellow band member Rod Argent), a big hit worldwide. After the amicable split of the band, shortly after completing the baroque pop classic LP, Odessey and Oracle, Blunstone briefly worked in the insurance business before resuming his musical career. In 1969, he signed with Deram Records and cut three singles under the pseudonym of Neil MacArthur, including a re-make of The Zombies' hit, "She's Not There" which charted in the UK.
He had some success as a solo artist, notably in 1972 with "Say You Don't Mind" (peaked at number 15 in the UK chart and written by future Wings member Denny Laine) and "I Don't Believe in Miracles" (peaked at number 31 in the UK chart and written by Argent member Russ Ballard), both with string arrangements by Christopher Gunning. Additional minor hits followed with "How Could We Dare To Be Wrong" in early 1973 (peaked at number 45 in the UK chart) and "Tracks of My Tears" in 1982 (peaked at number 60 in the UK chart). One Year (1971) produced by Chris White) was his first solo album, and included the song "Caroline Goodbye" about Blunstone's break-up with the model and actress Caroline Munro. This was followed by Ennismore and Journey. He then signed with Elton John's record label named The Rocket Record Company and released three albums, Planes (1976), Never Even Thought (1978) and Late Nights in Soho (1979), which was only released in Europe.
1. Nová syntéza 2 (22:05)
2. Je třeba obout boty a pak dlouho jít / One must first put on shoes and then walk for quite a while (9:57)
3. Klístě / The tick (3:25)
4. Jedenáctého října / October 11 (7:29)
Bonus tracks: 5. El Dorado (1973 Supraphon) (3:41)
6. Dívko z kamene (1973 Supraphon) (2:33)
Laco Deczi / trumpet
Radim Hladík / electric guitar
Petr Král / tenor saxophone
Josef Kůstka / electric violin, vocals (2-4)
Karel Růžička / organ
Lešek Semelka / vocals (all)
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