"And The Address" (Ritchie Blackmore, Jon Lord) – 4:38
"Hush" (Joe South) – 4:24
"One More Rainy Day" (Rod Evans, Lord) – 3:40
a) "Prelude: Happiness" (Rimsky-Korsakov, Evans, Blackmore, Nick Simper, Lord, Ian Paice)
b) "I'm So Glad" (Skip James) – 7:19
Side two
"Mandrake Root" (Evans, Blackmore, Lord) – 6:09
"Help" (Lennon/McCartney) – 6:01
"Love Help Me" (Evans, Blackmore) – 3:49
"Hey Joe" (Billy Roberts) – 7:33
Bonus tracks on the CD re-issue
"Shadows" (album out take) (Evans, Blackmore, Simper, Lord, Paice) – 3:38
"Love Help Me" (instrumental version) (Evans, Blackmore) – 3:29
"Help" (alternate take) (Lennon/McCartney) - 5:23
"Hey Joe" (BBC Top Gear session 1/16/69) (Roberts) – 4:05
"Hush" (live at the Playboy Mansion for US TV 1968) (South) – 3:53
01. With His New Face On 3:21
02. Mr. Second Class 3:16
03. Alec In Transitland 6:51
04. Sanity Inspector 3:04
05. Feel Your Way 2:59
06. Morning Sun 3:20
07. Moonshine 2:41
08. Don't Want You No More 3:17
09. Time Seller 2:54
10. Stop Me, I'm Falling 3:31
01. Don't You Get The Feelin' (Part I) 2:33
02. New Start 1:45
03. I Don't Mind 2:26
04. Summer Is Over 2:36
05. Soul Proud 4:44
06. 44th Floor 3:40
07. Beauty 2:05
08. I Just Don't Understand 3:01
09. No One Like You 2:53
10. Hello Stranger 2:54
11. Best Girl 2:11
12. For Now I Love You 2:41
13. Warm 2:43
14. Quiet Morning 3:13
15. Don't You Get The Feelin' (Part II) 7:06
Darius was based in Hollywood, California and was backed by Goldenrod and Mike Deasy. The album is all originals and the music very melodic with upfront vocals and a style veering towards progressivism. Particularly stunning are Mist-Veiled Garden and I Feel The Need To Carry On. Funk and blues influences are more evident on Side two of the album.
Producer Pat Glasser went on to work with Three Dog Night.
Darius went on to record a 45 for Metromedia as Bobby Joe Ott, Flint River Inn, but the company was bought out by Bell, and the track sank in the changeover.
He then returned to his home town of Cleveland, Ohio and under the name of Darius James played the club circuit. In 1974 a bad automobile accident put his musical plans on hold and he spent the next six years having re-constructive surgery. In 1980 he put a band called The Earthlings together and went back to Hollywood to play the Showcase Club Circuit and despite many recordings, no deal was forthcoming.
In 1990 Darius went back to Cleveland and met Barbara McFaul aka: Honeygirl. He then concentrated his efforts on recording and producing Honeygirl, also producing/directing three music videos with her.
In 2000 he started singing/writing and recording again along with Honeygirl and The Earthlings...
"The Subhuman" - 7:30
"Harvester of Eyes" - 4:55
"Hot Rails to Hell" - 5:55
"The Red and the Black" - 4:33
"Seven Screaming Diz-Busters" - 8:27
"Buck's Boogie" - 7:40
"(Then Came The) Last Days of May" - 4:35
"Cities on Flame" - 4:08
"ME 262" - 8:47
"Before the Kiss (A Redcap)" - 5:05
"I Ain't Got You" - 8:59
"Born to Be Wild" - 6:36
This is a highly unusual and incredibly virtuosic project. KBB's star violinist, Akihisa Tsuboy, pairs up with flutist Yukihiro Isso and Adachi Kyodai's guitarist, Source .K. Adachi, for a set of riveting acoustic originals penned by the latter. Each musician is a master of his or her instrument. Adachi's playing is strongly influenced by folk music and flamenco -- he relies on speed and stamina. Isso handles recorder, shinobue, and dengakubue (traditional Japanese flutes) with spellbinding grace, often playing two flutes at once. Tsuboy's virtuosity has rarely been best displayed. Flutes and violin join forces to weave criss-crossing melodies, moving over and under one another at dizzying speeds, while Adachi strums his guitar or mandolin ferociously, as if the fate of humankind were depending on it. His compositions draw mostly on pastoral folk and progressive rock, but the two other players take it into a whole new dimension where romantic virtuosity and the drive of jazz-rock hold hands. Highlights include "Night Dance" and "Short Summer in Valhalla," both breathtaking numbers in terms of sheer speed and invention. The tender melody of "Lost on the Way Home" proves that this trio is about much more than virtuosity. Even the Jethro Tull cover (obligatory it seems with any project involving Adachi) is full of surprises as Tsuboy and Isso mischievously refuse to stick to the original arrangements. Kasa Kasa comes highly recommended: it is one of the finest progressive rock-related albums of 2003. ~ François Couture, All Music Guide
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