 genre: beat country: uk quality: lossless (WavPack, cue, log, booklet scans) time: 33'07" size: 517 mb misc.: ? remaster
Side one
1. "It Won't Be Long" Lennon 2:13
2. "All I've Got to Do" Lennon 2:03
3. "All My Loving" McCartney 2:08
4. "Don't Bother Me" (George Harrison) Harrison 2:28
5. "Little Child" Lennon and McCartney 1:46
6. "Till There Was You" (Meredith Willson) McCartney 2:14
7. "Please Mister Postman" (Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland, Robert Bateman) Lennon 2:34
Side two
1. "Roll Over Beethoven" (Chuck Berry) Harrison 2:45
2. "Hold Me Tight" McCartney 2:32
3. "You Really Got a Hold on Me" (Smokey Robinson) Lennon with Harrison 3:01
4. "I Wanna Be Your Man" Starr 2:00
5. "Devil in Her Heart" (Richard Drapkin) Harrison 2:26
6. "Not a Second Time" Lennon 2:07
7. "Money (That's What I Want)" (Janie Bradford, Berry Gordy) Lennon 2:50
All songs written and composed by Lennon/McCartney, except where noted.
George Harrison – lead, harmony and background vocals; lead and acoustic guitars; handclaps; nylon-string acoustic guitar on "Till There Was You"
John Lennon – lead, harmony and background vocals; rhythm and acoustic guitars; harmonica and handclaps; nylon-string acoustic guitar on "Till There Was You"; Hammond organ on "I Wanna Be Your Man" and tambourine on "Don't Bother Me"
Paul McCartney – lead, harmony and background vocals; bass guitar and handclaps; piano on "Little Child" and claves on "Don't Bother Me"
Ringo Starr – drums, tambourine, maracas, handclaps; lead vocals on "I Wanna Be Your Man" and Arabian loose-skin bongo on "Till There Was You" and "Don't Bother Me" |
genre: psych
country: us
quality: lossless (flac, cue, log, booklet scans)
time: 1:15'28" size: 545 mb
misc.: 1997 us lp version remaster
Side one
1. "...And the Gods Made Love" Jimi Hendrix 1:21
2. "Have You Ever Been (To Electric Ladyland)" Hendrix 2:11
3. "Crosstown Traffic" Hendrix 2:13
4. "Voodoo Chile" Hendrix 15:00
Side two
5. "Little Miss Strange" Noel Redding 2:52
6. "Long Hot Summer Night" Hendrix 3:27
7. "Come On (Let the Good Times Roll)" Earl King 4:09
8. "Gypsy Eyes" Hendrix 3:43
9. "Burning of the Midnight Lamp" Hendrix 3:39
Side three
10. "Rainy Day, Dream Away" Hendrix 3:42
11. "1983... (A Merman I Should Turn to Be)" Hendrix 13:39
12. "Moon, Turn the Tides...Gently Gently Away" (instrumental) Hendrix 1:02
Side four
13. "Still Raining, Still Dreaming" Hendrix 4:25
14. "House Burning Down" Hendrix 4:33
15. "All Along the Watchtower" Bob Dylan 4:01
16. "Voodoo Child (Slight Return)" Hendrix 5:12
Jimi Hendrix – electric guitar, bass (on tracks 2, 6, 8, 11, 14 and 15), electric harpsichord (on track 9), percussion, lead vocals (on all non-instrumental tracks except 5 in which Mitch and Noel sing), background vocals, kazoo made of comb and paper (track 3), a slide used in "All Along the Watchtower" is actually a cigarette lighter
Mitch Mitchell – drums (on all tracks except 10 and 13), percussion, background vocals, lead vocals (with Redding on track 5)
Noel Redding – bass (on tracks 3, 5, 7, 9, 10 and 16), background vocals, acoustic guitar (on track 5), lead vocals (with Mitchell on track 5)
Jack Casady – bass (on track 4)
Steve Winwood – organ (on track 4)
Al Kooper – piano (on track 6)
The Sweet Inspirations – background vocals (on track 9)
Larry Faucette – congas (on tracks 10 and 13)
Mike Finnigan – organ (on tracks 10 and 13)
Freddie Smith – tenor saxophone (on tracks 10 and 13)
Buddy Miles – drums (on tracks 10 and 13)
Brian Jones- percussion [on track 15]
Dave Mason – Acoustic 12-String guitar (on track 15), backing vocals (on track 3)
Chris Wood – flute (on track 11)
also:
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genre: psych
country: uk
quality: lossless (WavPack, cue, log, scans)
time: 1:04'24" size: 313 mb
misc.: live
01. My Room 7:17
02. Too Many Yesterdays 4:38
03. Just Good Friends 10:07
04. Mirror Images 10:32
05. Time To Burn 11:24
06. Untitled 8:54
07. Stranger 6:15
08. Where The Actors Go 5:17
Peter Hammill - voice, piano
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genre: psych
country: uk
quality: lossless (flac, cue, log, scans)
time: 48'19" size: 284 mb
01. Sharply Unclear 5:43
02. The Gift Of Fire (Precursed) 1:45
03. The Gift Of Fire (Talk Turkey) 6:47
04. You Can't Want What You Always Get... 5:58
05. ...If You Haven't Got It Yet 3:35
06. A Headlong Stretch - I) Up Ahead 3:30
07. A Headlong Stretch - II) Continental Drift 3:10
08. A Headlong Stretch - III) The Twelve 1:36
09. A Headlong Stretch - IV) Long Light 3:02
10. A Headlong Stretch - V) Backwards Man 4:07
11. A Headlong Stretch - VI) As You Were 1:59
12. A Headlong Stretch - VII) Or So I Said 2:04
13. Your Tall Ship 5:04
Peter Hammill: guitar, piano, vocals
Nic Potter: bass
Stuart Gordon: violin
Simon Clarke: organ
David Jackson: saxophone, flute
Manny Elias: drums, percussion
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genre: psych
country: us
quality: lossless (ape, cue, log, scans)
time: 1:10'50" size: 457 mb
misc.: 2000
Fuzz Acid & Flowers:
George Edwards, an ex-folk troubadour who had cut a solo 45 for Dunwich, Norwegian Wood/Never Mind, I'm Freezing, and a raw cover of Bob Dylan's Quit Your Low Down Ways, that remained unreleased until its inclusion on Happy Tiger's Early Chicago compilation in 1971, was working as in-house session vocalist with Dunwich when this Chicago-based outfit was first assembled. Aside from David Michaels, the other three members of the band were borrowed from another Chicago ouffit, The Rovin' Kind. The name H.P. Lovecraft was appropriated from the deceased fantasy horror wrighter. This initial line-up (February 1967) was responsible for the first 45, although the flip side was a George Edwards solo outtake from the previous year. The group came together as a stable entity in the Spring of 1967 (line-up B), although Tom Skidmore soon made way for Jerry McGeorge, who'd previously played with The Shadows Of Knight and Dalek/Engham: The Blackstones. (Joe Kelly, also of The Shadows Of Knight, was briefly in the band when Tony Cavallari, was absent for a while in late 1967).
The vocal combination of the folkie Edwards and Michaels, a classically-trained singer, gave the band a unique and distinctive vocal sound effectively supplemented by Michael's powerful keyboard-playing. Their debut album is one of great variety. The stand-out track was The White Ship and this is the song with which the group are most usually associated. Making use of a 1811 ship's bell, sombre harmonies, reeds, feedback and some baroque harpsichord pieces it conjured up a hallucinogenic atmosphere ideally suited to the times. Also of note were an excellent upbeat version of Dino Valente's hippie anthem Let's Get Together, which preceded The Youngblood's hit by over a year; That's The Bag l'm In, which had its roots in the garage; Wayfaring Stranger, a folk-based number and the dopey, sleepy number, I've Been Wrong Before, which gave a clear indication of the direction they would follow on their second album.
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