genre: heavy
country: canada
quality: lossless (ape, cue, covers)
time: 39'06" size: 241 mb
"Blown" (R. Bachman, T. Bachman) – 4:18 - (vocals: T. Bachman)
"Welcome Home" (R. Bachman) – 5:29 - (vocals: R. Bachman)
"Stonegates" (Turner) – 5:35 - (vocals: Turner)
"Let It Ride" (R. Bachman, Turner) – 4:27 - (vocals: Turner)
"Give It Time" (Turner) – 5:44 - (vocals: Turner)
"Tramp" (R. Bachman, T. Bachman) – 4:02 - (vocals: R. Bachman)
"I Don't Have to Hide" (T. Bachman) – 4:22 - (vocals: T. Bachman)
"Takin' Care of Business" (R. Bachman) – 4:50 - (vocals: R. Bachman)
Randy Bachman - guitar, vocals
Robbie Bachman - percussion, drums
Tim Bachman - guitar, vocals
Fred Turner - bass, vocals
with
Norman Durkee - piano on "Takin' Care Of Business"
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genre: heavy
country: canada
quality: lossless (ape, cue, log, covers)
time: 37'03" size: 230 mb
"Gimme Your Money Please" (C.F. Turner) – 4:41 (Lead Vocal: Turner)
"Hold Back The Water" (Randy Bachman, Rob Bachman, Kirk Kelly) – 5:06 (Lead Vocal: Turner)
"Blue Collar" (C.F. Turner) – 6:10 (Lead Vocal: Turner)
"Little Gandy Dancer" (Randy Bachman) – 4:22 (Lead Vocal: Turner)
"Stayed Awake All Night" (Randy Bachman) – 4:07 (Lead Vocal: Randy and Tim Bachman)
"Down And Out Man" (Tim Bachman, R.B. Charles) – 3:12 (Lead Vocal: Tim Bachman)
"Don't Get Yourself In Trouble" (Randy Bachman) – 4:54 (Lead Vocal: Turner)
"Thank You For The Feelin'" (C.F. Turner) – 4:07 (Lead Vocal: Turner)
Randy Bachman - guitar, electric guitar, vocals
Robbie Bachman - percussion, drums
Tim Bachman - guitar, rhythm guitar, vocals, background vocals
C.F. Turner - bass, vocals
with
Barry Keane - congas
Will MacCalder - piano
Garry Peterson - percussion, drums, background vocals
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genre: heavy psych
country: us
quality : lossless (flac, cue, log, scans)
time: 38'30" + 42'25" size: 512 mb
Fuzz Acid & Flowers:
From Cleveland, Ohio, a good psyche hard rock outfit which did achieve some modest commercial success. Their first album is excellent, with surprising covers of Last Train To Clarksville, Morning Dew and You Don't Love Me, plus a good original penned by William "Bill" Constable. The Second Damnation is also interesting, with Back To The River, Money Tree and In The Morning. There's already a Southern rock feel in some songs.
After three albums, they renamed themselves Glory and released an LP on Avalanche in 1973.
Eric Stevens, who later worked with Brownsville Station, produced their albums and Bill Schwark had previously played with The Alarm Clocks.
(Vernon Joynson/Stephane Rebeschini/Max Waller)
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genre: rock country: uk quality : mp3 320k, covers time: 29`54" size: 64 mb Biography: Denny Laine (born Brian Frederick Arthur Hines, 29 October 1944, Tyseley, Birmingham) is an English songwriter and multi-instrumentalist, best known for his roles as former guitarist and lead singer of The Moody Blues and, later, co-founder (with Paul McCartney) of Wings. Denny Laine is of Romani descent, was educated at Yardley Grammar School in Birmingham, and took up the guitar as a boy under the influence of jazz legend Django Reinhardt; he had his first solo performance as a musician at the age of twelve and began his career as a professional musician fronting Denny & The Diplomats, which also included future The Move and Electric Light Orchestra drummer Bev Bevan. In 1964, Laine left The Diplomats to join Mike Pinder in The Moody Blues and sang their first big hit, "Go Now"; other early highlights included "From The Bottom Of My Heart", "Can't Nobody Love You" and the harmonica-ripping "Bye Bye Bird". However, Denny's tenure with the MB's was short-lived and, after a number of comparative failures, Laine quit the band in late 1966(the last record issued by The Moody Blues that featured Laine was "Life's Not Life"/"He Can Win" in 1967, but "Boulevard De La Madelaine" looked ahead to the fancier sounds that the MB's would later become famous for). After leaving The Moody Blues, he formed The Electric String Band, which featured Denny (guitar, vocals), Trevor Burton (guitar, another former member of The Move) and Viv Prince (drums), also featuring electrified strings in a format not dissimilar to what Electric Light Orchestra would later attempt. They made two singles, "Say You Don't Mind / Ask The People" (Apr 1967, Deram) and "Too Much In Love / Catherine's Wheel" (Jan 1968, Deram); and, in June 1967, they shared a bill with The Jimi Hendrix Experience and Procol Harum at the Saville Theatre in London. However, national attention was not to be, and the pioneering Electric String Band broke up. (There was apparently a third single recorded called "Why Did You Come?". Why it never released is unknown, but there has been rumors that the finished track - and probably the B side as well - was sent by post to Decca and was lost.) Laine and Burton then went on to the band Balls from 1969 until the band's breakup in 1971, with both also taking time to play in Ginger Baker's Air Force in 1970. (Only one single was issued by Balls; "Fight For My Country" / "Janie, Slow Down" on UK Wizard Records. Strangely, the top side was re-edited and reissued on UK Wizard and issued in the US on Epic under the name of Trevor Burton, which was odd since Laine and Burton shared lead vocals on the B side. The single was reissued again as B.L.W. as "Live In The Mountains" for a small Pye distributed label. There was supposed to have been a Balls album recorded, but it has never seen the light of day). Laine's 1967 song "Say You Don't Mind" was a hit when recorded in 1972 by ex-Zombie, Colin Blunstone. In 1971, Denny joined Paul McCartney to found the group known as Wings, and would stay with them for a full ten years until they officially disbanded in 1981; Denny provided lead & rhythm guitars, backing vocals, keyboards, bass, writing and co-writing skills, as well as being a solid solo performer. Together with Paul and his wife, the late Linda, they formed the nucleus of the band, being called that "strange, 3-winged beast". It was with Wings that Denny enjoyed the biggest commercial and critical successes of his career, including co-writing the smash hit "Mull of Kintyre". In January 1980, McCartney was arrested upon arrival for possession of marijuana at an airport for a tour in Japan. The tour was cancelled and Wings unofficially had their wings clipped; they recorded through the year on new tracks as well as old tracks still in the vaults, but a press release by Paul in early 1981 officially announced that Wings had come in for a landing. The new tracks ended up on Paul's next two solo albums, and Laine's relationship with McCartney soured(speculation also has it that financial matters were close to the heart of this dissolution, similar to the McCartney/Jackson partnership). The title track of Denny's first solo album after Wings, called "Japanese Tears", appeared to be a visible attack on McCartney much like John Lennon's "How Do You Sleep?" in 1971; however, closer inspection to the lyrics shows that it more likely tells the tongue-in-cheek story of a japanese fan's disappointment after Wings' tour got cancelled(or possibly even tears of excitement at Wings' arrival in Japan in the first place). Denny filed for bankruptcy in the mid-80's after selling his lucrative co-publishing rights to " Mull of Kintyre" to co-author McCartney. However, he has continued to record music at a prolific rate and has appeared at Beatles conventions and on tributes to both The Beatles and Wings. He is currently working on an autobiography. He was briefly married to Jo Jo Laine (born 13 July 1953 — died 29 October 2006), with whom he had a son Laine, and a daughter, Heidi.
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genre: prog country: spain quality : lossless (ape, cue, log, scans) time: 1:13`39" size: 438 mb issue: Si-Wan Rec(1992) oe: superb sympho prog *****+ The Spanish Progressive Rock Encyclopedia: Fans of symphonic progressive with flip their tails over this one! THE best rock adaptation of classical music EVER, and that is NO exaggeration! It's a rock adaptation of Vivaldi's "The Four Seasons" with some original music added to make the concept flow. The original music consists of electronic music, vocal music and the like, but based on Vivaldi's original themes and motives. The mixture of multiple keyboards (mellotrons, synths, acoustic and electric pianos), powerful vocals, some rock, some choral and some operatic and manic Akkermanesque guitar make for varied and interesting listening. The arrangements of the string quartet pieces for rock band work beautifully, especially on the adaptations of the "Spring" and "Winter" sections, which work surprisingly well as rock music. They even include a short "Christmas carol" in one track! Originally a 70-plus- minute double album, issued on a single CD. My highest recommendations go out to this one! Mike Ohman.
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genre: prog
country: us
quality : lossless (flac, tracks, cue, log, scans)
time: 46`27" size: 262 mb
issue: Fallout FOCD 2012 (2006)
Fuzz Acid & Flowers:
From Levittown, Long Island, New York. This outfit's album is a superb and very under-rated progressive album with long organ tracks, fuzz, pleasant piano interludes and some effective female vocals in places. The opening cut, All Of Them Witches, is one of those long extended, elaborate tracks that characterised the progressive era, but the whole of side one in particular is excellent.
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genre: jazz
country: uk
quality : lossless (ape, cue, log, booklet scans)
time: 41`23"+45'38" size: 511 mb
issue: 1994
Tapestry of Delights:
Nucleus first attracted attention by winning first prize at the Montreux International Festival in 1970 for their improvised and integrated music which was an amalgam of jazz and rock. They were originally formed in 1969 by trumpeter Ian Carr. He was joined by ex-Battered Ornaments guitarist Chris Spedding and Karl Jenkins and John Marshall (who both went on to Soft Machine) on the first three albums. Elastic Rock was their most successful, actually climbing to No 46 in the Album Charts. Their third album, Solar Plexus, was spacier than the two which preceded it and is particularly recommended. In 1972 Jenkins and Marshall both departed to join Soft Machine.
Belladonna was essentially an Ian Carr solo album, although he did enlist the services of guitarist Allan Holdsworth. Produced by Jon Hiseman (of Colosseum fame) it is Carr's most sought-after work for Vertigo. Of the later albums Snakes Hips Etcetera is well regarded. They eventually split up in the early eighties.
Nucleus are still considered to be one of Britain's top jazz-rock bands.
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genre: psych
country: us
quality : lossless (flac, cue, log, covers, size: 194 mb), mp3 (320k, covers, 100 mb)
time: 30'47"
Fuzz Acid & Flowers:
This band were students at University of North Carolina in Chapel Hill. Their album, which was recorded in New York in December 1966, is definitely worth investigating and is a minor collectable. Its very Anglophile sound garnered it a U.K. release, although the band had split by April 1967.
Bassist Jim Opton told U-Spaces:- "We were a band that was making a pretty good living playing fraternity parties around the campus, and a few cellar clubs in Chapel Hill. My fraternity, Phi Mu Alpha, was sponsoring a charity concert for our scholarship fund, and we decided to go for broke that year and book a big name. We contacted William Morris Agency in New York, and booked Chad and Jeremy. We needed an opening act, so I booked my own band... got us real cheap. The deal was that Rob Heller, who was with the Morris Agency would come and hear us play. He signed us immedately after the concert. A week later he hooked us up with Elliot Mazur, who became our producer. Elliott also worked as a song peddler for E.B. Marks Music, who published the music. We got a recording contract with Decca, I don't know how, but Rob put that deal together with Elliott, and the next thing I know, we are in the studio with all kinds of famous people that had us in awe for the first 35 seconds or so. I do know that somebody thought we were kind of special, because the studio was absolutely closed to visitors while we were there, and we were not allowed to take home raw tape to play for anyone. We did a lot of things that were pretty advanced for our time. Listen carefully to Morning Dew for example. The strange vocal effects were done by feeding the vocals through a Leslie Tone Cabinet from a Hammond B3. Also, the bass lead is the first bass feedback lead I think I can remember in a rock song. I blew up the amp doing it!! Cost me $750 (a LOT of money I didn't have in 1966)!! But, it was a hell of a lick. The album was essentially recorded by five of us: Randy, Bill, Joe, Cam and me. Phil had departed for law school. I believe he is alive and well, and practicing law in Charlotte, N.C."
"Actually, there is one little piece or two of rock and roll history that goes with that album. It was the first ever recorded using the very new, and relatively unknown, Dolby NR System. It took up a good size room at the time. The engineer for the album, Fred Cretera, was also the engineer for Simon and Garfunkel."
Joe Mendyk had earlier played in Tri-Power, The Better Days and The Warlocks (with an excellent 45 on Decca). The 'A' side of their first 45, excellent harmony pop-punk ~ (Vernon Joynson / Max Waller)
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genre: beat, blues, pop
country: poland
quality : lossless (ape, cue, log, cover, size: 507 mb), mp3 (320k, cover, 242 mb)
time: 50'57"+54'50"
misc.: compil.
CD1
01. Dziwny Jest Ten Swiat [3:36]
02. Gdzie To Jest [2:55]
03. Cos Co Kocham Najwiecej [3:04]
04. Ten Los Zly Los [2:40]
05. Chcialbym Cofnac Czas [3:51]
06. Chyba Ze Mnie Pocalujesz [2:54]
07. Prosze Przebacz [3:16]
08. Nigdy Sie Nie Dowiesz [3:32]
09. Nie Wstawaj Lewa Noga [2:12]
10. Jeszcze Swoj Egzamin Zdasz [1:56]
11. Pamietam Ten Dzien [3:15]
12. Nie Dla Mnie Taka Dziewczyna [2:24]
13. Jaki Kolor Wybrac Chcesz [2:22]
14. Domek Bez Adresu [2:23]
15. Wspomnienie [3:49]
16. Kleczac Przed Toba [3:50]
17. Niepotrzebni [2:49]
CD2
01. Pod Papugami [3:15]
02. Jednego Serce [7:37]
03. Plonaca Stodola [2:30]
04. Jezeli [2:21]
05. Wloczega [2:29]
06. Sukces [3:12]
07. Spizowy Krzyk [2:15]
08. Allilah [2:46]
09. Gdzie Mak Sie Czerwieni [2:39]
10. Narodziny Milosci [2:36]
11. Najdluzsza Noc [3:04]
12. Tyle Jest Drog [3:32]
13. Bema Pamieci Zalobny - Rapsod [16:28]
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genre: psych
country: germany
quality : lossless (flac, cue, log, covers)
time: 42'10" size: 235 mb
Wiki
"It Has Not Taken Long" – 4:12
"Secret Side" – 4:08
"You Forget to Answer" – 5:08
"Innocent and Vain" – 3:52
"Valley of the Kings" – 3:57
"We've Got the Gold" – 5:44
"The End" – 9:37 (Densmore, Krieger, Manzarek, Morrison)
"Das Lied der Deutschen" – 5:29 (Hoffmann von Fallersleben, Joseph Haydn)
Nico – lead vocals, harmonium
John Cale – bass guitar, xylophone, acoustic guitar, synthesizers, organ, marimba, triangles, cabaça, boobams, glockenspiel, percussion, piano, electric piano
Phil Manzanera – electric guitar
Brian Eno – synthesizers
Vicki Wood – backing vocals
Annagh Wood – backing vocals
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genre: psych
country: uk
quality : lossless (ape, cue, log, booklet scans)
size: 589 mb
misc.: rec. '73
Disc 1: 49:44
1. Crying In The Dark / King Of Twilight (12:10)
2. Desolation Valley (8:58)
3. A Day In The Life Of A Preacher including the birth of Oh Willie (19:50)
4. Summer Breeze (3:04)
5. Cast Your Fate (5:42)
Disc 2: 56:44
1. Remember The Future Part One (18:47)
2. Odyssey (Ron's On) (11:15)
3. 1-2-3-4 (12:31)
4. Remember The Future Part Two (Let It Grow) (5:14)
5. Woman (6:09)
Allan "Taff" Freeman / keyboards, vocals
Derek "Mo" Moore / bass, vocals
Mick Brockett / lights
Ron Howden / drums, percussion
Roye Allbrighton / guitars, vocals
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genre: neo prog
country: germany
quality : lossless (flac, cue, log, scans)
time: 48'42" size: 294 mb
issue: 2002
1. Too young to die (4:17)
2. Angel (3:30)
3. Telephone (3:40)
4. Far away (3:17)
5. Torraine (5:25)
6. Can't stop you now (4:18)
7. We (4:40)
8. You're alone (4:05)
9. Man in the moon (6:42)
Bonus tracks on re-issue (2002):
10. Impossible Years (Too Young To Die)(4:17)
11. Straight Jacket (3:48)
Roye Albrighton / vocals, guitars
Allan "Taff" Freeman / keyboards
David Prater / drums, backing vocals
Carmine Rojas / bass, keyboards
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genre: psychcountry: germanyquality : mp3 (128k, covers) time: 1:07'33" size: 64 mb misc.: rec. '7401. Fidgety Queen 5:36 02. That's Life 8:01 03. Show Me The Way 4:37 04. Marvelous Moses 8:21 05. It's All Over Now 5:27 06. Astral man 3:05 07. Remember The Future Part I 14:06 08. Remember The Future Part II 8:21 09. King Of Twillight 9:58- Roye Albrighton / lead vocals, guitars - Mick Brockett / lights - Allan "Taff" Freeman / keyboards, backing vocals - Ron Howden / drums, percussion - Derek "Mo" Moore / bass, backing vocals
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genre: hard country: uk quality : lossless (ape, cue, log, scans) time: 50'24" size: 305 mb issue: 1997 remaster
Silver Dollar Forger, Pt. 1-2 (Agnew, Charlton, McCafferty, Sweet) – 5:36 Glad When You're Gone (Agnew, Charlton, McCafferty, Sweet) – 4:17 Loved And Lost (Agnew, Charlton, McCafferty) – 5:12 Shanghai'd In Shanghai (Agnew, Charlton, McCafferty, Sweet) – 3:43 Jet Lag (Agnew, Charlton, McCafferty, Sweet) – 6:43 Light My Way (Agnew, Charlton, McCafferty, Sweet) – 4:09 Sunshine (Agnew, Charlton, McCafferty, Sweet) – 4:15 Shapes of Things / Space Safari (Agnew, Charlton, McCafferty, McCarty, Relf, Samwell-Smith, Sweet) – 6:21 bonus 1997: Shanghai'd In Shanghai [US Version] (Agnew, Charlton, McCafferty, Sweet) – 3:42 Cat's Eye Apple Pie (Agnew, Charlton, McCafferty, Sweet) – 3:01 Shapes of Things [Single Edit] (McCarty, Relf, Samwell-Smith) – 3:20
Dan McCafferty - vocals, photography Pete Agnew - bass guitar, guitar, background vocals, liner notes Manny Charlton - guitar, producer, photography Darrell Sweet - drums, background vocals, liner notes, photography Additional musicians: Vicki Brown, Barry St. John, Liza Strike - background vocals Jon Lord - synthesizer, piano
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genre: hard
country: uk
quality : lossless (ape, cue, scans)
time: 48'52"
size: 301 mb
issue: 1996
Go Down Fighting (Agnew, Charlton, McCafferty, Sweet) – 3:07
Not Faking It (Agnew, Charlton, McCafferty, Sweet) – 4:01
Turn On Your Receiver (Agnew, Charlton, McCafferty, Sweet) – 3:19
Teenage Nervous Breakdown (Lowell George) – 3:43
Free Wheeler (Agnew, Charlton, McCafferty, Sweet) – 5:31
This Flight Tonight (Joni Mitchell) – 3:24
Child In The Sun (Agnew, Charlton, McCafferty, Sweet) – 4:51
The Ballad of Hollis Brown (Bob Dylan) – 9:11
Bonus tracks:
This Flight Tonight (US Version) (Joni Mitchell) – 3:24
Go Down Fighting (US Version) – 3:05
The Ballad of Hollis Brown (Edit Version) (Bob Dylan) – 5:10
Dan McCafferty - lead vocals
Darrell Sweet - percussion, drums, backing vocals
Pete Agnew - bass guitar, backing vocals
Manny Charlton (Manuel Charlton) - lead, slide and acoustic guitars, backing vocals
Other credits:
Roger Glover - producer, bass guitar, (percussion on track 5)
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genre: hard
country: uk
quality : lossless (ape, cue, log, booklet scans)
time: 41'29" size: 285 mb
issue: 1998 remaster
Expert No Mercy (McCafferty, Charlton, Agnew, Sweet) 3:23
Gone Dead Train (J.N. Nitzche/R.Titelman) 3:40
Shot Me Down (Charlton) 3:30
Revenge is Sweet (Charlton) 3:30
Gimme What`s Mine (McCafferty, Charlton, Agnew, Sweet) 3:42
Kentucky Fried Blues (McCafferty, Charlton, Agnew, Sweet) 3:11
New York Broken Today (McCafferty, Charlton, Agnew, Sweet) 3:37
Busted (H.Howard) 3:43
Place in Your Heart (Charlton) 2:59
All the King`s Horses (McCafferty, Charlton) 4:24
Greens (B-side Single) (2'50")
Desolation Road (B-side Single) (2'59")
Dan McCafferty: Vcls
Manny Charlton: Gtrs
Pete Agnew: Bss Gtr
Darrel Sweet: Drms & Prcssn
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genre: psych
country: uk
quality : lossless (ape, cue, log, booklet scans)
time: 1:02'03"
size: 421 mb
issue: 2005 remaster
"Imperial Zeppelin" (Hammill, Chris Judge Smith) - 3:36
"Candle" - 4:16
"Happy" - 2:36
"Solitude" - 4:56
"Vision" - 3:13
"Re-Awakening" - 4:01
"Sunshine" - 3:56
"Child" - 4:25
"Summer Song (In The Autumn)" - 2:13
"Viking" (Hammill, Judge Smith) - 4:44
"The Birds" - 3:38
"I Once Wrote Some Poems" - 2:56
Bonus tracks on 2005 reissue:
"Re-Awakening" (early demos) - 4:37
"Summer Song (In The Autumn)" (early demos) - 2:50
"The Birds" (early demos) - 3:23
"Sunshine" (early demos) - 3:54
"Happy" (early demos) - 2:49
All tracks composed by Peter Hammill; except where indicated. (On original Lp cover different authors).
Guy Evans - Percussion, Drums, Vocals (bckgr)
Martin Pottinger - drms
Hugh Banton - Organ, Piano, Keyboards, Vocals (bckgr)
Rod Clements - bss, vln
Nic Potter - bss
David Jackson - alto + tenor saxes, flute
Ray Jackson - Harmonica, Mandolin, Harp, Vocals (bckgr)
Bob Fripp - el. gtr
Paul Whitehead - tam tam
Peter Hammill - all l.vcls, ac gtr, Guitar, Piano, Keyboards,
Fluctuating chorale: Guy, Hugh, Dave, Roy, John, Norman, Alastair, John Anthony, Peter
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genre: beat, rhytm'n'blues
country: uk
quality : lossless (flac, cue, log, booklet covers)
time: 1:16'25" size: 287 mb
misc.: compil. '64-'71
Tapestry of Delights:
The Nashville Teens were formed in Weybridge, Surrey in 1962. The founding members Arthur Sharp and Ramon Phillips had been lead singers in two rival groups which had joined forces in 1962. The group bit their teeth in the Hamburg clubs during 1963-64. This era saw a few personnel changes with Dunsford and Groom being replaced by John Allen, a guitarist from Woking, and drummer Pete Lace, who was in turn replaced by Barry Jenkins. They also added a third vocalist, Terry Crow, for a while although he decided to remain in Germany when their residency at the Star Club ended. During their time in Germany they backed Jerry Lee Lewis on a live album (Live At The Star Club, Hamburg (Philips BL 7646) 1965.
Returning to the UK in 1964, they were managed by Don Arden and Mickie Most became their producer after seeing them back Chuck Berry, who was over here on tour. Most was vocalist with The Minutemen at the time. For their debut 45, they chose a barnstorming R&B rendition of North Carolinan John D. Loudermilk's Tobacco Road. The song, which was notable for its strident piano, pulsating beat and twin vocals, climbed to No 6 here and No 14 in the US. In fact it was a smash hit in several other countries too. Sharp had come across the song whilst working in a record shop but this proved the start of a close relationship between the group and composer.
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genre: beat
country: us
quality : lossless (flac, cue, log, scans)
time: 1:00'33" size: 376 mb
issue: 1993
66:
01 - Last Train to Clarksville 2:47
02 - Wild Thing 4:08
03 - Sunshine Superman 2:46
04 - Sunny Afternoon 3:28
05 - Lil' Red Riding Hood 2:45
06 - Eleanor Rigby 2:19
07 - Black Is Black [Mono Version] 2:55
08 - Summer in the City [Mono Version] 2:38
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genre: psych country: us quality : lossless (flac vinyl, cue, log, scans) time: 33'24" size: 212 mb
Fuzz Acid & Flowers: This Hollywood-based quintet were a popular attraction around LA's bars and clubs for some years. Their album attracts some interest among collectors of psychedelia. Offbeat hippie-psych - 'canyon music' might be an apt description recalling the post 'flower power' scene exhorted by Kim Fowley as the next 'in-thing'. Indeed Kim Fowley produced the album. Unfortunately it didn't catch on. The album came in a wonderfully colourful cover.
01. 7th Generation Mutation 3:20 02. Canyon Women 3:02 03. Devil And The Sea 2:18 04. Do You Believe 2:12 05. Help Me Close The Door 1:03 06. Messages From The Dead 4:10 07. Goddess Of Death 2:26 08. St. John Green 3:05 09. Spirit Of Now 2:33 10. Love Of Hate 2:12 11. One Room Cemetary 3:43 12. Shivers Of Pleasure 3:20
ED BISSOT bs, vcls SHELSCOTT drms MIKE BAXTER keyb'ds, vcls BILL KIRKLAND VIC SABINO hrmnca, vcls
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genre: garagecountry: usquality : wma (128k, covers) time: 37'19" size: 36 mb issue: 1999Fuzz Acid & Flowers: Tacoma, Washington was their home town and they were one of the finest punk bands to come from the Northwest in this era. The Witch was an enormous hit in the Pacific Northwest, indeed The Sonics were immensely popular there. Their follow-up Psycho was also a local hit. Most of their material was original and written by Gerry Roslie, although they also did cover versions of tracks like I'm A Man. Arguably they were left behind in the San Francisco-based rock renaissance of 1967. Their third album, which was produced by Jerry Dennon, was called Introducing because it was their first on a major label. This album was later re-released in the late seventies under the title The Sonics' Original Northwest Punk. The last 45 recorded by the original line-up was Any Way The Wind Blows. After this members departed to go to college or join other bands - with Rob Lind being the last original to leave in 1968. Jim Brady came in on lead vocals in 1967, from The Mercy Boys and by 1968 was leading the band. From Love-itis onwards they perfected a new sound adding strings and horns but it didn't go down with their fans and they slowly faded out of the limelight. Jerry Roslie, reformed the band in 1979 with a new line-up to record (6) for Bomp. Doug Heath and Ron Foos formed The City Zu and Danny Hoeerer went on to play for Tower Of Power. Rob Lind now lives in LA where he is involved in the film industry. Gerry Roslie still records and writes songs today. (Vernon Joynson / Max Waller)
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genre: jazzcountry: ukquality : lossless (ape, cue, log, scans) time: 1:12'37" size: 529 mb First Set (Concertgebouw, 25-10-70) 1. Facelift (6:59) 2. Virtually (15:34) 3. Out-Bloody-Rageous (8:12) 4. Neo-Caliban Grides (10:12) Second Set (Concertgebouw, 25-10-70) 5. Teeth (8:03) 6. Slightly All The Time (10:34) 7. Eamonn Andrews (1:36) 8. Ester's Nose Job (11:22) Encore (Concertgebouw, 25-10-70) 9. Slightly All The Time/Noisette (6:43)
- Elton Dean / alto saxophone, saxello, electric piano - Hugh Hopper / electric bass - Mike Ratledge / electric piano, organ - Robert Wyatt / drums, voice
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genre: jazzcountry: ukquality : lossless (ape, cue, log, scans) time: 1:45'42" size: 610 mb misc.: 2cd live '72CD 1: 1. Plain Tiffs (3:32) 2. All White (6:23) 3. Slightly All The Time (13:09) 4. Drop (7:43) 5. M.C. (2:59) 6. Out-Bloody-Rageous (13:25) CD 2:
1. Facelift (17:53) 2. And Sevens (8:55) 3. As If (8:30) 4. LBO (6:08) 5. Pigling Bland (6:05) 6. At Sixes (11:00) - Elton Dean / saxello, alto sax, rhodes piano - Hugh Hopper / bass - John Marshall / drums - Mike Ratledge / electric piano, organ
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genre: new wave country: new zealand quality : lossless (separate flac, cue, log) time: 33`58" size: 306 mb issue: 2006 remester oe: this is our content or no, how you defined this nicely supertrampish band? Please comment need this strange band here or no. New Zealand's Split Enz began their recording career in pleasantly uncommercial fashion, writing gently eccentric tunes that echoed the softer side of Foxtrot-era Genesis. A compilation of demos, Mushroom's The Beginning of the Enz chronicles those earliest days and finds Tim Finn's bittersweet singing style starting to work its magic. For Mental Notes--their first proper album--the Enz took shape as a sprawling seven-piece, including spoons player Noel Crombie. They had grown overtly weird and flamboyant, with many tunes resembling little, distorted symphonies. The effects don't always work, simply because flakiness carried past a certain point can't be taken seriously on any level. The Genesis parallel holds here as well.
By the time Roxy Music's Phil Manzanera produced the second Mental Notes, the Enz were ready for the world beyond. Bizarre carnival costumes and distorted upsweep hairdos served as colorful attention-grabbers. Tim Finn's wistful voice adds a sweet patina to disoriented and lyrically offbeat outings like "Stranger Than Fiction" and the morbid "The Woman Who Loves You."
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genre: new wave country: new zealand quality : lossless (separate flac, cue, log) time: 33`58" size: 306 mb issue: 2006 remester oe: this is our content or no, how you defined this nicely supertrampish band? Please comment need this strange band here or no. New Zealand's Split Enz began their recording career in pleasantly uncommercial fashion, writing gently eccentric tunes that echoed the softer side of Foxtrot-era Genesis. A compilation of demos, Mushroom's The Beginning of the Enz chronicles those earliest days and finds Tim Finn's bittersweet singing style starting to work its magic. For Mental Notes--their first proper album--the Enz took shape as a sprawling seven-piece, including spoons player Noel Crombie. They had grown overtly weird and flamboyant, with many tunes resembling little, distorted symphonies. The effects don't always work, simply because flakiness carried past a certain point can't be taken seriously on any level. The Genesis parallel holds here as well.
By the time Roxy Music's Phil Manzanera produced the second Mental Notes, the Enz were ready for the world beyond. Bizarre carnival costumes and distorted upsweep hairdos served as colorful attention-grabbers. Tim Finn's wistful voice adds a sweet patina to disoriented and lyrically offbeat outings like "Stranger Than Fiction" and the morbid "The Woman Who Loves You."
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genre: jazz, progcountry: ukquality : lossless (ape, cue, log, scans) time: 1:13'54" size: 404 mb misc.: live '751. The Floating World (4:52) 2. Bundles (4:53) 3. Land Of The Bag Snake (5:07) 4. Ealing Comedy (6:08) 5. The Man Who Waved At Trains (4:56) 6. Peff (6:29) 7. North Point (4:05) 8. Hazard Profile Part One (4:49) 9. J.S.M. (10:13) 10. Riff III (8:42) 11. Song Of Aeolus (4:16) 12. Endgame(6:39) 13. Penny Hitch [Coda] (2:40)- Allan Holdsworth / electric guitar, violin - Mike Ratledge / Lowrey organ, Fender Rhodes, synthesizers - Karl Jenkins / oboe, soprano saxophone, recorder, electric & acoustic piano - Roy Babbington / electric bass guitar - John Marshall / drums, percussion
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genre: popcountry: ukquality : lossless (flac separate, cue, cover) time: 39'01" size: 216 mb Tapestry of Delights: A progressive Anglo-American rock combo, who are probably best known for their track Living In Sin by virtue of its inclusion on CBS's popular 1970 budget-priced double compilation, Fill Your Head With Rock. This pleasant, melodic track was taken from their debut album and is arguably their finest moment. The album is well worth seeking out, though. It contains Tell Me, a mellow song with a beautiful melody; Mazsha, a fast organ-dominated instrumental with a long sax solo; Country Aire, an instrumental folk piece with flute and harpsichord; All Alone, a slow, melodic song about loneliness with pleasant sax and a long organ solo; the mellow mid-tempo Night Time with lots of flute and jazzy piano improvisations and Highway, a fast R&B influenced progressive piece with long sax and organ solos. By the time of Skintight in 1973 they were playing more commercial, mainstream rock with lots of orchestration and brass arrangements. Side A is disappointing but there are three decent tracks on Side B:- Instermental, a soul/funk orientated instrumental; The Heep Turns Human, which brings to mind The Who in the Who's Next period and the bluesy hard-rocker Maverick Woman Blues, which featured strong vocals and slide guitar. The album was produced by American Don Nix and remixed at Ardent Studios, Memphis. Nick Graham was also in The End, Atomic Rooster and Tucky Buzzard. It's unconfirmed whether drummer Tony Knight was he of the Chessmen fame (Vernon Joynson/Costas Arvanitites/Bill Stow)
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genre: progcountry: swedenquality : lossless (ape, cue, log, scans) time: 58'46" size: 299 mb ProgArchives1. Snalblast (18:28) 2. Manuel (11:06) 3. Agren (16:51) 4. Attestupan (12:04)- Rickard Bistrom / bass, vocals, guitar - Fredrik Karlsson / keyboards - Mats Svensson / drums - Lena Petterson / cello - Robert Sjoback / guitars - Linda Johansson / flute, vocals
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genre: bluescountry: ukquality : lossless (flac, cue, log, scans) time: 51'04" size: 315 mb issue: 19941. Flood In Houston (4:00) 2. Stay With Me Baby (2:35) 3. Honey Bee (6:25) 4. The Incredible Gnome Meets Jaxman (3:30) 5. Give Me A Penny (4:20) 6. Mr. Downchild (5:25) 7. Getting To The Point (3:55) 8. Big City Lights (3:25) 9. You Need Love (7:40) 10. Walking By Myself (2:25) 11. Taste And Try, Before You Buy (2:21) 12. Someday People (4:35) Chris Youlden - vocals Kim Simmonds - lead guitar Dave Peverett - rhythm guitar Roger Earle - drums Rivers Jobe - bass Bob Hall - piano
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genre: garagecountry: usquality : lossless (ape, cue, log, booklet scans) time: 1:10'22" size: 435 mb issue: 2001Wiki" The Seeds": Side one "Can't Seem to Make You Mine" – 3:05 "No Escape" (Lawrence, Dan Savage, Saxon) – 2:16 "Evil Hoodoo" (Daryl Hooper, Saxon) – 5:19 "Girl I Want You" – 2:26 "Pushin' Too Hard" – 2:38Side two "Try to Understand" – 2:53 "Nobody Spoil My Fun" – 3:54 "It's a Hard Life" – 2:40 "You Can't Be Trusted" – 2:12 "Excuse, Excuse" – 2:21 "Fallin' in Love" – 2:49Rick Andridge – drums Cooker – guitar, bottleneck guitar Daryl Hooper – organ, piano, keyboards, vocals Jan Savage – guitar, rhythm guitar, vocals Sky Saxon – bass guitar, harmonica, vocals, producer, concept, cover art " A Web Of Sound": 12. Mr. Farmer 2:52 13. Pictures And Designs 2:44 14. Tripmaker 2:48 15. I Tell Myself 2:31 16. Faded Picture 5:21 17. Rollin' Machine 2:33 18. Just Let Go 4:21 19. Up In Her Room (Long Version) 14:45
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genre: psych, folk
country: romania
quality : lossless (flac, cue, log , scans)
time: 1:07'44" size: 428 mb
01. Preludia - A Oiler 1:07
02. Preludia - Jocul Timpulul 3:18
03. Primavara - Introducere 1:03
04. Primavara - Paparuga 2:35
05. Vara 4:21
06. Toamna 4:31
07. Iarna
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genre: blues
country: uk
quality : lossless (ape, cue, log, scans)
time: 39'28"
size: 244 mb
issue: 1991
01. Shot In The Head 4:46
02. Second Try 4:19
03. The Saddest Feeling 4:21
04. I Can't Find You 3:34
05. Howling For My Darling 3:38
06. So Tired 4:17
07. Denim Demon 4:25
08. Love Me Please 5:45
09. I Hate To See You Go 4:22
KIM SIMMONDS gtr
DAVE BIDWELL drms
PAUL RAYMOND keyb'ds
ANDY PYLE bs
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genre: avant, progcountry: sweden quality : mp3 (192k, scans) time: 41'33" size: 60 mb ProgArchives01. Urmakare 1 3:44 02. Urmakare 2 2:38 03. Funkfдllan 2:43 04. Kort pеbrе 1:56 05. Moderna 6:20 06. Timlig дr du 2:35 07. Seldon in memoriam 11:33 08. Till ovala metern 4:48 09. Tycker du som jag 5:14 - Hans Bruniusson / drums, pinochet, chimes, xylophone, radio, voicet - Eino Haapala / guitars, voice - Lars Holmer / electric piano, Korg polyphonic, Hohner-symphonic grand piano, Farfisaorgan, voice - Lars Krantz / bass, trumpet
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Style: psych
Country: germany
Audio: lossless (ape, cue, log, covers)
Size: 578 mb
wikipedia:
Can Live Music (Live 1971–1977) is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977 (despite the title referencing 1971). It originally came as an item in the now out of print Can box set.
The album contains several tracks created through instantaneous free improvisation ("Jynx", "Fizz", "Colchester Finale" and "Kata Kong") that did not appear on any of Can's studio albums.
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genre: sympho progcountry: italyquality : lossless (ape, cue, log, booklet scans) time: 31'25" size: 204 mb issue: 2005ItalianProg: A trio formed in Florence in the early 70's by keyboardist Vincenzo Coccimiglio along with bass player Agostino "Tino" Nobile, that had previously played in Noi Tre, a legendary band that also included guitarists Franco Falsini of Sensations' Fix and Paolo Tofani that was in Area and later known as Electric Frankenstein. After trying various drummers, they found a suitable one in Giorgio Sorano and Triade was born. Signed to the Derby label, the group only released an album and a single in 1973, and had a good live activity supporting the likes of Banco del Mutuo Soccorso and Premiata Forneria Marconi and even playing some dates on their own (like a couple of memorable concerts at Pierlombardo in Milan). 1998: La storia di Sabazio includes a totally instrumental first side with strong classical influences (much in the ELP direction) and a three-track second side with vocal parts, the result is a good album but a bit disjointed and not completely representative of the genre. The album was the result of the different tastes of the two composers, first side being almost completely composed by Coccimiglio, while the second side (that's sometimes compared with Le Orme) was more song-oriented and composed by Nobile. Two tracks from this vocal second side, Caro fratello and 1998, with very good acoustic guitar playing, were also released on single. The group disbanded not long after the album release, due to some internal friction and little interest by their management. Both Coccimiglio and Nobile have remained in the music biz, playing around the world for years.
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genre: prog
country: uk
quality : lossless (ape, cue, log, scans)
time: 37'30" size: 212 mb
issue: 1993
"Spring Song" (Harvey/Sebastion) - 10:00
"Round & Round" (Harvey/Sebastion) - 4:30
"Flash in the Pantry" (Gulland/Sebastion) - 4:57
"Falero Lady" (Harvey/Sebastion) - 4:08
"Snakes and Ladders" (Harvey) - 5:15
"The Fall of the Leaf" (Harvey/Sebastion) - 4:22
"Major Disaster" (Foster/Sebastion) - 4:04
Richard Harvey – piano, sax, recorders, keyboards
David Oberlé – lead vocals, percussion
Brian Gulland – bassoon, English horn, recorders, vocals
Bob Foster – guitars, vocals
Jonathan Davie – bass guitars
Alex Baird – drums
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genre: prog
country: uk
quality : lossless (ape, cue, log, cover)
time: 1:17'36" size: 409 mb
issue: 1996
Tapestry of Delights:
Harvey and Gulland (who formed the band) were both former students of the Royal College of Music. Indeed, Harvey was a first-class recorder virtuoso. Their musical roots were very much in medieval folk but after their first album, which achieved some minor Chart success, they experimented more with long instrumentals. Side two of Midnight Mushrooms consisted of one track commissioned by Peter Hall for a National Theatre production of 'The Tempest'. They went on to play film Soundtracks for 'Pope Joan' and 'Brother Sun, Sister Moon' and arranged the title theme for 'Glastonbury Fayre'. In 1975, Harvey recorded a solo album of recorder music,Divisions On A Ground (Transatlantic TRA 292). In 1975, when Graeme Taylor left, the group expanded from a quartet to a sextet. Baird had previously played with Contraband. If mid-seventies progressive/techno-rock is your scene the group may be for you
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genre: psych blues
country: us
quality : lossless (flac, cue, log, scans)
time: 1:11'01" size: 361 mb
Fuzz Acid & Flowers:
A local St. Louis, Missouri band. Only 100 copies of their album were pressed and the above two non-LP 45s were often given away free with it. We're talking an ultra rarity of the highest order here. There are a couple of throwaway country tracks (Happy Face and Got To Keep Travelling On) and the finale, Gettin' Off, is marred by a tedious drum solo but the rest is for the most part mindblowing psychedelia. The best of these are Catfish, with some bluesy psychedelic guitar work, and two social commentary songs, Get A Gun and Let's Keep The Children On The Streets, a song about the riots of the sixties.
Ray Schulte had earlier played in Bob Kuban and The In Men in 1962, before helping to form The Guise and, with his brother Jerry, an act called The Sheratons. Tiring of the pop and R&B scene, Touch were formed in mid-67, to create a more powerful fusion of psychedelic blues, and they quickly picked up support slots for acts such as Steppenwolf, Cream and Iron Butterfly, also playing at a Free festival with Big Brother & The Holding Co. and The Allman Bros in '68.
Shortly after their album was recorded, Paulette headed west to join a commune, and Ovid quit. A new line-up recorded two further 45s, which feature some good fuzzy guitar work and in particular their version of Light My Fire, which is slower and fuzzier than The Doors', comes off well.
One final session in 1970, with Royal on electric harpsichord and lead vocals and David Surkamp (later of Pavlov's Dog) on rhythm guitar, resulted in three songs, that have recently been included on the Gear Fab reissue. In particular The Magic Inside You is noteworthy for some particularly fine lyrics, echoing the changing times. Incongruously, the band then landed the job as back up band for Tony Orlando & Dawn, who were riding high on a wave of commercial success from hits such as Tie A Yellow Ribbon.
Today, Royal and Ray Schulte are still performing in the St. Louis area as The Essence. ~ (Vernon Joynson/Max Waller)
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genre: heavy
country: switzerland
quality : lossless (ape, cue, log, scans)
time: 1:02'16" size: 401 mb
issue: 2003
Wiki
01. Cotton Wood Hill 8:34
02. A Life That Ain't Worth Living 3:31
03. Tank 3:29
04. They Say I'm Mad 6:49
05. Life Goes On 12:00
06. Pig's Walk 7:28
07. The One I Mean 2:35
bonus:
08. Stay 3:32
09. Animals World 3:11
10. Fly 6:47
11. Purple Haze 4:20
Vic Vergeant - Guitar
Werner Frolich - Bass
Cosimo Lampis - Drums
Benjamin Jagger - Vocals
Engineered by Martin Birch
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genre: heavycountry: norwayquality : lossless (flac separate, scans) time: 37'36" size: 268 mb issue: 2000Wiki1. Sea Wolf (5:56) 2. Underbird (4:33) 3. Confusion (3:01) 4. Sultana (4:14) 5. Hanging Over (3:19) 6. Covered in Dust (3:17) 7. A Stone's Throw (2:08) 8. Scarlet (4:01) 9. Exiled (3:46)- Kenny Aas / Organ - Kjell Asperud / Drums - John Lorck / Drums - Janne Loseth / Guitar - Roy Robinson / Vocals
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genre: neo progcountry: usquality : mp3 (320k, cover) time: 1:13'12" size: 173 mb Wiki1. Flying East 9:22 2. Let It Go 6:35 3. Sleepdance 11:08 4. Replay 5:42 5. Semprini 4:15 6. Bird in Hand 10:11 Late for Dinner (7 to 13): 7. Xenophile 3:54 8. Soul on a Slick 2:54 9. Doom 2:15 10. Gloom 1:54 11. Real Estate 5:09 12. Three-Hundred Years Asleep 2:23 13. Xenophobe 7:45
Joe Funk - electric & acoustic guitars; vocals Mick Peters - Stick, bass, acoustic guitar; vocals Ted Thomas - drums & percussion; vocals Thad Miller - piano, organ & synthesizers
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genre: bluescountry: ukquality : lossless (ape, cue, log, booklet scans) time: 48'03" size: 330 mb issue: 2002"Going to Try" (Alvin Lee) - 4:52 "I Can't Live Without Lydia" (Chick Churchill) - 1:23 "Woman Trouble" (Alvin Lee) - 4:37 "Skoobly-Oobly-Doobob" (Alvin Lee) - 1:44 "Hear Me Calling" (Alvin Lee) - 5:44 "A Sad Song" (Alvin Lee) - 3:23 "Three Blind Mice" (traditional, arr. by Ric Lee) - 0:57 "No Title" (Alvin Lee) - 8:13 "Faro" (Leo Lyons) - 1:10 "Speed Kills" (Alvin Lee, Mike Vernon) - 3:42 bonus: "Hear Me Calling (Single Version)" (Alvin Lee) - 3:44 "Women Trouble (US Version)" (Alvin Lee) - 4:48 "I'm Going Home (Single Version)" (Alvin Lee) - 3:34 "Boogie On" (Alvin Lee) - 14:44 Alvin Lee - vocals, guitar, piano, Chinese fans Chick Churchill - organ, piano Ric Lee - drums, tympani Leo Lyons - bass, bow-bass, string bass, percussion Additional Personnel: Roy Baker - sound effects on "No Title" Martin Smith - train sound effects on "Speed Kills" Simon Stable (credited as "Count Simon (Stable) de la Bedoyere") - bongos on "Going to Try" Mike Vernon - backing vocals on "Hear Me Calling"
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genre: blues
country: uk
quality : lossless (ape, cue, log, scans)
time: 1:18'14"
size: 454 mb
issue: compilation
Tapestry Of Delights:
The antecedents of this band were a mid-sixties band, The Jaybirds, who backed The Ivy League for a while. Alvin Lee formed the Nottingham-based rock'n'roll/R&B outfit in the early sixties with Leo Lyons and drummer Dave Quickmire. When Quickmire left in the Summer of 1965 Ric Lee came in as a replacement. The band became a popular live attraction in the Midlands and also, like so many of their contemporaries, spent time in Hamburg. In 1966 manager/agent Chris White took them on and they supported The Bonzo Dog Band at The Marquee as The Blues Yard for one gig before becoming Ten Years After. They soon became closely identified with the late sixties blues boom largely due to Alvin Lee's lightning guitar work.
They signed to Decca in October 1967 who put out their recordings on their Deram subsidiary. Their debut album didn't chart but the live follow-up, Undead, peaked at No 6 in the UK (and 61 in the US). 1969 was the year they really made the big time. Their next album, Stonedhenge, made the UK Top Ten and on 3 July they became the first and only rock band to play the Newport Jazz Festival at Rhode Island in the USA. However it was their appearance at Woodstock in August of that year which transformed them into overnight stars, after Lee's 11-minute guitar extravaganza on I'm Going Home was filmed for the movie.
Cricklewood Green was their most successful album in the UK. It spent 27 weeks in the Charts, peaking at No 4. It also spawned Love Like A Man, their only UK Chart entry, which had the studio album cut on one side and a long live version which played at 33 rpm on the flip.
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genre: psych
country: uk
quality : lossless (flac, cue, log, booklet scans)
time: 40'14" size: 250 mb
issue: 1995
Tapestry of Delights:
A progressive outfit from Birmingham who played some of the most esoteric and experimental music released on the Harvest label. They had some similarities with Principal Edwards Magic Theatre insofar as their act was a sort of travelling theatre incorporating music, drama and mime. They followed the above 45 with an album of interesting material which utilised a diverse range of instruments and some attractive vocal harmonies. They were assisted on this effort by members of Bakerloo and Locomotive. This is a pandemonium of wilful, oblique and obscure tunes, all filled with a manic musical magic that will either appall or take you by storm. Improbable instrumental combinations and unexpected barbed-wire dissonances are treated with excellent musical craftmanship. There is no sloppiness like Dr. Strangely Strange, nor any tendency to get mystical like The Incredible String Band. Instead the madness is musically and lyrically defined, which makes this album obligatory to anyone into this kind of style. A title like Maybe My Mind (With Egg) speaks for itself.
The follow-up, Jo Saga, was every bit as adventurous as their debut. The side-long title cut was an interesting attempt to relate the problems of a young Caribbean jazz musician living in Birmingham, but it pales in the company of the short tracks on the other side. These are more in the vein of the first album, but even better - ranking as among the best British acid-folk cuts. Sadly it was a bit too esoteric for wide public consumption and only sold a few hundred copies. It is now one of the label's rarest and most sought-after items. Both albums are recommended. The group split not long after its release but vocalist James Langston later resurfaced in the short-lived heavy rock outfit Mean Street Dealer in 1979.
(VJ/Marcel Koopman).
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genre: progcountry: uk/swedenquality : lossless (flac, cue, log, booklet scans) time: 48`11" size: 405 mb In Darkest Dreams: 01. Prelude – Time for you (2:26) 02. Night terrors (3:26) 03. The midnight watershed (3:03) 04. In dark dreams (4:01) 05. The half-light watershed (1:16) 06. On returning (0:47) 07. A sax in the dark (1:13) 08. Night terrors reprise (3:37)
The Canterbury Sequence: 09. Cantermemorabilia (3:19) 10. Chaos at the greasy spoon (3:01) 11. Captain Manning’s mandolin (1:39) 12. Up Hill From Here (7:08) The Music That Died Alone 13. A serenade (1:36) 14. Playing on (1:50) 15. Pre-history (2:36) 16. Reprise (3:43)
- Andy Tillison / keyboards Guest musicians: - Roine Stolt / guitar - David Jackson / saxophone & flute - Sam Baine / piano & synthesizers - Jonas Reingold / basses - Zoltan Czorsz / drums - Guy Manning / guitars, vocals, keyboards
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genre: progcountry: uk/swedenquality : lossless (flac, cue, log, booklet scans) time: 1:18`57" + 47'14" size: 916 mb issue: 2cd sp. ed. Read: Wiki"In Earnest" – 20:03 I. The Radio Amateur II. Worthy of Memory (Part I) III. Demobilized IV. Dehumanized V. Flights of Fancy VI. Worthy of Memory (Part II) VII. The Silent Key VIII. Earnest Dreams of 617 IX. Some Crazy Old Guy X. In Earnest "Lost in London" (Guy Manning, Andy Tillison) – 8:08 "DIY Surgery" (Stephen C. Middleton, Theo Travis) – 2:17 "GPS Culture" – 10:07 "Follow Your Leaders" – 9:21 "The Sun in My Eyes" – 3:44 "A Place in the Queue" (Andy Tillison, Theo Travis) – 25:14 I. Silent Screams II. Two for the Queue (Part I) III. Shaping the Line IV. Heirarchies V. The Escher Staircase VI. An 'elping Hand VII. Two for the Queue (Part II) VIII. The Escher Staircase (Reprise) Special Edition Bonus Disc Part One - Other songs recorded at the same time as the main CD "Promises Were Made" (Sam Baine, Andy Tillison) – 7:26 "The First Day At School" (demo) – 5:30 "Forsaken Cathedrals" – 4:54 Part Two - Alternative Version "The Sun In My Eyes" (extended mix) – 9:12 Part Three - Instrumental Ambience "Grooving On Mars" (live at Karlsruhe, Germany, 2005) (Theo Travis) – 6:16 "Kartoffelsalat Im Unterseeboot" (Krister Jonsson, Andy Tillison, Theo Travis) – 13:37All songs by Andy Tillison, except where noted.
Andy Tillison – piano,guitars, vocals Sam Baine – piano, synthesizer, vocals Jonas Reingold – bass guitar Theo Travis – saxophone, flute, clarinet Guy Manning – acoustic guitar, mandolin Jaime Salazar – drums Krister Jonsson – electric guitars (except on "GPS Culture") Dan Watts – electric guitars (only on "GPS Culture")
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genre: glamcountry: ukquality : lossless (flac, cue, log, booklet scans) time: 1:02`43"+53'10" size: 750 mb Cd1: Born To Boogie: 1-1 Unknown Artist - Intro (Spoken Word) 0:25 1-2 T.Rex - Jeepster 4:54 1-3 T.Rex - Baby Strange 4:46 1-4 Marc Bolan - 'Electric Wind' (Poem) (Spoken Word) 0:26 1-5 Elton, Ringo & T.Rex - Tutti Fruitti 1:20 (Written-By - La Bostrie , Penniman) 1-6 Elton , Ringo & T.Rex - Children Of The Revolution 3:40 1-7 Marc & Ringo - 'Look To The Left' 0:20 1-8 T.Rex - Spaceball Ricochet 4:16 1-9 Marc & Ringo - 'Some People Like To Rock' (Spoken Word) 0:13 (Written-By - Robinson) 1-10 T.Rex - Telegram Sam 4:24 1-11 Marc & Ringo - 'Some People Like To Roll' (Spoken Word) 1:30 (Written-By - Robinson) 1-12 T.Rex - Cosmic Dancer 3:59 1-13 Marc Bolan - 'They've Come, Tis Said' (Spoken Word) 0:36Tea Party Medley (5:36) 1-14a Marc & String Quartet (2) - Jeepster 5:36 {Acoustic Guitar - Marc} 1-14b Marc & String Quartet (2) - Hot Love {Acoustic Guitar - Marc} 1-14c Marc & String Quartet (2) - Get It On {Acoustic Guitar - Marc} 1-14d Marc & String Quartet (2) - The Slider {Acoustic Guitar - Marc} 1-15 Marc Bolan - 'Union Hall' (Poem) (Spoken Word) 0:47 1-16 T.Rex - Hot Love 3:42 1-17 T.Rex - Get It On 11:12 1-18 T.Rex - Children Of The Revolution (Reprise) 0:53 1-19 Marc Bolan - BBC Interview With Marc Bolan From Late 1971 (Spoken Word) 9:44 Interviewer - Tony NormanCd2: T. Rex In Concert - 18th March 19722-1 Emperor Rosko - Rosko's Intro (Spoken Word) 0:19 2-2 T.Rex - Cadilac 7:01 2-3 T.Rex - Jeepster 5:00 2-4 T.Rex - Baby Strange 4:59 2-5 T.Rex - Spaceball Ricochet 3:54 2-6 T.Rex - Girl 3:09 2-7 T.Rex - Cosmic Dancer 4:12 2-8 T.Rex - Telegram Sam 4:30 2-9 T.Rex - Hot Love 3:37 2-10 T.Rex - Get It On 11:15 2-11 Emperor Rosko - 'Just One More?' (Spoken Word) 0:26 2-12 T.Rex - Summertime Blues 4:48 (Written-By - Conchran, Capehart)
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genre: beat, psych, folk
country: us
quality : lossless (ape, cue, log, booklet scans)
time: 58'28"
size: 264 mb
issue: 1997 remaster
Original album tracks:
"Artifical Energy": Roger McGuinn, Chris Hillman & Michael Clarke Rec. date: December 6, 1967
"Goin' Back": Gerry Goffin & Carole King Rec. date: October 9, 1967
"Natural Harmony": Chris Hillman Rec. date: November 29, 1967
"Draft Morning": David Crosby, Chris Hillman & Roger McGuinn Rec. date: August 2, 1967
"Wasn't Born to Follow": Gerry Goffin & Carole King Rec. date: November 30, 1967
"Get to You": Chris Hillman & Roger McGuinn Rec. date: November 13, 1967
"Change Is Now": Roger McGuinn & Chris Hillman Rec. date: August 30, 1967
"Old John Robertson": Roger McGuinn & Chris Hillman Rec. date: June 21, 1967
"Tribal Gathering": David Crosby & Chris Hillman Rec. date: August 16, 1967
"Dolphin's Smile": David Crosby, Chris Hillman, & Roger McGuinn Rec. date: August 16, 1967
"Space Odyssey": Roger McGuinn & Bob Hippard Rec. date: October 23, 1967
1997 Bonus Tracks:
"Moog Raga": Roger McGuinn Rec. date: November 1, 1967
"Bound to Fall": Mike Brewer Rec. date: November 1, 1967
"Triad": David Crosby Rec. date: August 17, 1967 "Goin' Back" (version one): Rec. date: September 5, 1967 Previously unreleased version with Crosby vocals
"Draft Morning" (alternate end): Rec. date: August 2, 1967 Alternate longer ending
"Universal Mind Decoder": Roger McGuinn & Chris Hillman Rec. date: July 31, 1967 Previously unreleased instrumental demo of "Change Is Now"
On "Old John Robertson", "Change Is Now", "Triad", "Tribal Gathering", "Dolphin's Smile", "Draft Morning" ( Crosby plays but does not sing)
The Byrds v. 2.0
Jim McGuinn: vocals, 12 string lead guitar, 6 string guitar
David Crosby: vocals, 6 string guitar, some 12 string guitar
Chris Hillman: vocals, bass, mandolin
Michael Clarke: drums, percussion
Except:
On "Old John Robertson" (single & LP versions) Crosby plays bass, Hillman plays 6-string guitar Add strings; add fiddle on LP version
On "Change Is Now" Add Clarence White on pull string guitar
On "Draft Morning" Add sound effects (Gunshots from Firesign Theater)
On "Tribal Gathering" Add Jim Gordon replacing Michael Clarke on drums. Add piano
On "Dolphin's Smile" Add Jim Gordon replacing Michael Clarke on drums
On "Triad" Add Jim Gordon replacing Michael Clarke on drums
On "Goin' Back" (single & LP versions), "Artificial Energy", "Natural Harmony", "Wasn't Born To Follow",
"Get to You", "Space Odyssey", "Moog Raga":
The Byrds v. 3.1 Jim McGuinn: vocals, 12 string lead guitar, 6 string guitar
Chris Hillman: vocals, bass, mandolin
Michael Clarke: drums, percussion
Except:
On "Goin' Back" (single & LP versions) Add Jim Gordon replacing Michael Clarke on drums. Add Red Rhodes on pedal steel guitar. Add Paul Beaver on Moog synth. Add celeste, harp, cello
On "Artificial Energy" Add brass, piano
On "Natural Harmony" Add Jim Gordon replacing Michael Clarke on drums. Add Moog synth, strings
On "Wasn't Born to Follow" Add Jim Gordon replacing Michael Clarke on drums. Add Clarence White on pull string guitar (Engineered by Roy Halee)
On "Get to You" Add Jim Gordon replacing Michael Clarke on drums. Add Clarence White on pull string guitar. Vocals processed through Leslie speakers
On "Space Odyssey" Add Moog synth (Engineered by Roy Halee)
On "Moog Raga" Add Moog synth, conga, electric bongo, electric tabla, resinators (Engineered by Roy Halee)
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genre: folk, beat, psych
country: us
quality : lossless (ape, cue, log, boklet scans)
time: 47'35"
size: 305 mb
issue: 20bit remaster
Original album tracks:
"So You Want To Be A Rock 'n' Roll Star": Jim McGuinn & Chris Hillman Rec. date: November 28, 1966
"Have You Seen Her Face": Chris Hillman Rec. date: November 29, 1966
"CTA-102": Jim McGuinn & Robert J. Hippard Rec. date: December 1, 1966
"Renaissance Fair": David Crosby & Jim McGuinn Rec. date: December 6, 1966
"Time Between": Chris Hillman Rec. date: November 30, 1966
"Everybody's Been Burned": David Crosby Rec. date: December 7, 1966
"Thoughts and Words": Chris Hillman Rec. date: December 6, 1966
"Mind Gardens": David Crosby Rec. date: November 30, 1966
"My Back Pages": Bob Dylan Rec. date: December 5, 1966
"The Girl With No Name": Chris Hillman Rec. date: December 8, 1966
"Why": Jim McGuinn & David Crosby Rec. date: February 21, 1966
1996 Bonus Tracks:
"It Happens Each Day": David Crosby Rec. date: December 8, 1966
"Don't Make Waves": Jim McGuinn & Chris Hillman Rec. date: April 26, 1967
"My Back Pages" (alternate version): Rec. date: December 5, 1966 Previously unreleased
"Mind Gardens" (alternate version): Rec. date: November 30, 1966
"Lady Friend": David Crosby Rec. date: April 26 and June 14, 1967
"Old John Robertson" (single version): Jim McGuinn & Chris Hillman Rec. date: June 21, 1967
The Byrds v. 2.0:
Jim McGuinn: vocals, 12 string lead guitar, 6 string guitar
David Crosby: vocals, 6 string guitar, some 12 string guitar
Chris Hillman: vocals, bass, mandolin
Michael Clarke: drums, percussion
Except:
On "So You Want To Be a Rock 'n' Roll Star" Add Hugh Masekela on trumpet
On "CTA-102" Add oscillator
On "Renaissance Fair" Add "Jay" on saxophone
On "Time Between" Add Clarence White on pull string guitar, Add Vern Gosdin on acoustic guitar
On "The Girl With No Name" Add Clarence White on pull string guitar
On "Lady Friend" Add trumpets
On "Old John Robertson" (single & LP versions) Crosby plays bass, Hillman plays 6-string guitar; Add strings; add fiddle on LP version
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genre: heavy
country: uk
quality : lossless (flac, cue, log, booklet scans)
time: 57'28" size: 401 mb
issue: 2004 remaster
"In for the Kill" (6:32)
"Crash Course in Brain Surgery" (2:39) (Bourge/Phillips/Shelley)
"Wondering What Everyone Knows" (2:56)
"Zoom Club" (9:56)
"Hammer and Tongs" (6:58)
"Running from My Soul" (3:39)
"Living on Your Own" (8:54)
Remastered version:
"Zoom Club (Single Edit)"
"In for the Kill (2003 Version)"
"Crash Course in Brain Surgery (2003 Version)"
"Zoom Club (2003 Version)"
All Songs Written By Bourge/Shelley, except where noted
Burke Shelley - bss gtr, vcls
Tony Bourge - l. gtrs
Pete Boot - drms
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genre: heavy
country: uk
quality : lossless (ape, cue, log, scans)
time: 40'55" size: 240 mb
"Guts" – 4:21
"Everything in My Heart" – 0:52
"The Author" – 6:28
"Nude Disintegrating Parachutist Woman" – 8:41
"Rape of the Locks" – 6:13
"All Night Petrol" – 5:57
"You and I" – 1:41
"Homicidal Suicidal" – 6:41
All tracks by Tony Bourge & Burke Shelley
Tony Bourge - guitar, vocals
Ray Phillips - percussion, drums
Burke Shelley - bass, vocals, mellotron
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genre: prog
country: us
quality : mp3 320k, covers
time: 1:09`19
size: 162 mb
Gibraltar:
One may occasionally bemoan the lot of the prog consumer, whose never-ending search for great music can quickly separate a fellow from his money, and often consists of wading through the extremes of industrial racket, ambient ooze, 3rd-rate rock bands and everything in between in order to discover those rare gems. Advent is one of the gems. For no other reason than their name they will draw comparisons to Gentle Giant. There are similarities especially in some of the vocal arrangements and of course, their excellent Gentle Giant tribute piece, "BITB". In most cases however, the similarity is merely that both groups feature complex and finely crafted compositions. These musicians understand the kinds of influences that helped to generate the progressive movement in the first place, so they don't come across as merely aping some of the characteristics of the seventies bands, rather they draw from the same well of inspiration. Rock & Roll, early liturgical polyphony, 20th century rhythm and harmony, and even a little Henry Mancini figure into a mix of influences that swirl under slight gothic overtones. The Ptak brothers, Mark & Henry, handle most of the composing, keyboards, and vocals. In particular, Henry Ptak's compositions and arrangements are featured and he proves to be an outstanding and highly imaginative musician, obviously trained in the art of thematic development; you won't find unrelated ideas haphazardly strung together here. Also in the group is multi-instrumentalist extraordinaire Allan Benjamin, who contributes guitars, bass, stick, violin, backing vocals, and some fine compositional ideas of his own. The music on this disc is busy, tight, detailed and squeaky clean; everything in its place. So if your preference is the grungy, repetitive, heavier side of prog, look elsewhere. The band is aware that they will get some flak for the "demo" sound quality, though the sound is acceptable and often quite good. The use of the hated drum machine may draw critical fire as well, but this music is a rare case of strong ideas and performances transcending whatever technical limitations may have been imposed. One of America's finest unknown music ensembles. -- Ken A. Watson (Gibraltar Newsletter Vol. 7 #21, Aug. 1997)
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genre: beat, psychcountry: canadaquality : mp3 (256k, cover) time: 29'03" size: 55 mb Dreams Fantasies & Nightmares: Another Montreal, Quebec-based band and Allen and Armstrong had both been born there in 1946. Bator was Hungarian, and McCall and Elger were both born in the U.K. - hence the name. Some of the album is rather lightweight but there's some pleasant harmony pop (Only A Dream and Corduroy Coat) and a few tracks (The World Would Understand and Don't Run Away) have a more psychedelic edge. Electric Cool Acid - Japan: This al
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genre: hardcountry: ukquality : lossless (ape, cue, log, scans) time: 1:11'01" size: 492 mb misc.: live Wiki"In the Evening" (7:13) "Ramble On" (5:35) "The Song Remains the Same" (5:45) "What Is and What Should Never Be" (5:15) "The Ocean" (4:47) "Since I've Been Loving You" (7:53) "Communication Breakdown" (4:57) "Ten Years Gone" (7:43) "The Rain Song" (2:25) "Whole Lotta Love" (encore medley) (19:22)
John Smithson (Keyboards, Bass) Tony Catania (Guitar) Jason Bonham (Drums) Chas West (Vocals)
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genre: heavy
country: uk
quality : lossless (WavPack, cue, log, scans)
time: 43'47" size: 337 mb
issue: 2004
Wiki
Side one
"Hole in the Sky" – 3:59
"Don't Start (Too Late)" – 0:49
"Symptom of the Universe" – 6:29
"Megalomania" – 9:46
Side two
"Thrill of It All" – 5:56
"Supertzar" – 3:44
"Am I Going Insane (Radio)" – 4:16
"The Writ" – 8:09
Ozzy Osbourne – lead vocals
Tony Iommi – lead guitar
Terry "Geezer" Butler – bass guitar (miscredited as "Tony 'Geezer' Butler" in the story of the band on the Canadian CD issue)
Bill Ward – drums
Gerald "Jezz" Woodruffe – keyboards
English Chamber Choir arranged by Will Malone.
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genre: beat, popcountry: australiaquality : mp3 (128k, cover) time: 1:01'51" size: 58 mb August October 2:31 Gone Gone Gone 2:38 The Worst Girl In This Town 4:34 Give Me A Smile 3:10 Down Came The Sun 2:48 Mother And Jack 4:08 Saved By The Bell 3:09 Weekend 2:14 Farmer Ferdinand Hudson 3:08 Lord Bless All 3:18 Most Of My Life 5:16 One Million Years 4:11 Agosto Ottobre (Italian) 2:24 Un Million Dianni (Italian) 3:57 One Million Years (Alternate Version) 4:08 Saved By The Bell (Acetate Version) 3:23 Saved By The Bell (BBC Version 2:39 August October (BBC Version) 2:18 Weekend (BBC Version) 1:59
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genre: beat
country: australia/uk
quality : lossless (ape separate, scans)
time: 36'07" size: 224 mb
"If I Only Had My Mind on Something Else" – 2:33
"I.O.I.O." – 2:57
"Then You Left Me" – 3:11
"The Lord" – 2:19
"I Was the Child" – 3:14
"I Lay Down and Die" – 3:35
"Sweetheart" – 3:09
"Bury Me Down by the River" – 3:25
"My Thing" – 2:19
"The Chance of Love" – 2:28
"Turning Tide" – 3:09
"Don't Forget to Remember" – 3:28
Barry Gibb -- vocal, guitar
Maurice Gibb -- vocal, bass, piano, mellotron, guitar
Colin Petersen -- drums [to August 1969]
Geoff Bridgford -- drums [from October 1969]
P P Arnold -- vocal
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genre: beat
country: australia
quality : lossless (ape separate, scans)
time: 37'11"
size: 198 mb
"World" – 3:13
"And the Sun Will Shine" – 3:36
"Lemons Never Forget" – 3:04
"Really and Sincerely" – 3:29
"Birdie Told Me" – 2:24
"With the Sun in My Eyes" – 2:40
"Massachusetts" – 2:25
"Harry Braff" – 3:19
"Daytime Girl" – 2:34
"The Earnest of Being George" – 2:45
"The Change is Made" – 3:37
"Horizontal" – 3:34
Barry Gibb -- vocal, guitar
Robin Gibb -- vocal, organ
Maurice Gibb -- vocal, bass, piano
Vince Melouney -- lead guitar
Colin Petersen -- drums
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genre: surf
country: us
quality : lossless (ape, cue, log, scans)
time: 59'31"
size: 397 mb
issue: 1990
63:
01. Little Deuce Coupe 1:41
02. Ballad Of Ole' Betsy 2:17
03. Be True To Your School 2:09
04. Car Crazy Cutie 2:49
05. Cherry, Cherry Coupe 1:50
06. 409 2:01
07. Shut Down 1:51
08. Spirit Of America 2:26
09. Our Car Club 2:24
10. No-Go Showboat 1:56
11. A Young Man Is Gone 2:19
12. Custom Machine 1:42
13. I Get Around 2:15
Mike Love - Lead Vocals
Brian Wilson - Bass Guitar, Vocals
David Marks - Guitar, Vocals
Carl Wilson - Guitar, Vocals
Dennis Wilson - Drums
64:
14. All Summer Long 2:09
15. Hushabye 2:42
16. Little Honda 1:54
17. We'll Run Away 2:03
18. Carl's Big Chance 2:28
19. Wendy 2:19
20. Do You Remember 1:40
21. Girls On The Beach 2:27
22. Drive-In 1:53
23. Our Favorite Recording Sessions 2:00
24. Don't Back Down 1:47
Al Jardine - guitar, vocals, bass;
Mike Love - vocals, saxophone;
Brian Wilson - vocals, guitar, keyboards, percussion;
Carl Wilson - guitar, keyboards, vocals;
Dennis Wilson - drums, vocals.
bonus:
25. Be True To Your School (Single Version) (Bonus Track) 2:10
26. All Dressed Up For School (Bonus Track) 2:23
27. Little Honda (Alternate Take) (Bonus Track) 2:13
28. Don't Back Down (Alternate Take) (Bonus Track)
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genre: jazzcountry: ukquality : lossless (ape, cue, log, cover) time: 54'21" size: 341 mb 1 Dishy Billy 11:39 2 Skin The Pizzle 15:32 3 Oil Of Tongue 10:29 4 One In The Bush Is Worth Two In The Hand 16:39 Ginger Baker, drums Sonny Sharrock, guitar Peter Brotzmann, saxophones Nicky Scopelitis, guitar Jan Kazda, bass
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genre: psych new wavecountry: usquality : lossless (ape, cue, log, booklet scans) time: 1:07'23" size: 522 mb misc.: compil. 01. Planet Claire 4:36 02. Rock Lobster 4:56 03. Private Idaho 3:35 04. Quiche Lorraine 4:30 05. Mesopotamia 3:50 06. Summer of Love 4:35 07. Channel Z 4:51 08. Deadbeat Club 4:54 09. Love Shack 5:22 10. Roam 4:53 11. Good Stuff 5:55 12. Is That Mo-Dean 5:08 13. (Meet) The Flinstones 2:24 14. Debbie 3:34 15. Hallucinating PlutoFred Schneider - vcl, prcssn, kbrds Kate Pierson - vcl, kbrds Keith Strickland - gtr, drm, kbrds Cindy Wilson - vcl, gtr
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genre: countrycountry: usquality : lossless (flac, cue, log, scans) time: 36'48" size: 223 mb Side one "Blue Ridge Mountain Blues" (Traditional) – 2:29 "Somewhere Listening (For My Name)" (Archie Brownlee) – 2:37 "You're the Reason" (Fred Henley, Terry Fell, Mildred Imes, Bobby Edwards) - 3:12 "Jambalaya (On the Bayou)" (Hank Williams) – 3:15 "She Thinks I Still Care" (Dickey Lee Lipscomb, Steve Duffy) – 2:57 "California Blues (Blue Yodel #4)" (Jimmie Rodgers) – 3:04 Side two "Workin' on a Building" (Traditional) – 4:34 "Please Help Me, I'm Falling in Love" (Don Robertson, Hal Blair) – 2:49 "Have Thine Own Way, Lord" (Adelaide A. Pollard, George C. Stebbins) - 2:59 "I Ain't Never" (Mel Tillis, Webb Pierce) – 2:49 "Hearts of Stone" (Rudy Jackson, Eddy Ray) – 2:10 "Today I Started Loving You Again" (Merle Haggard, Bonnie Owens) – 3:12
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genre: countrycountry: usquality : lossless (ape, cue, log, booklet scans) time: 34'00" size: 245 mb 01. Deja Vu (All Over Again) 4:13 02. Sugar-Sugar (In My Life) 3:30 03. She's Got Baggage 2:36 04. Radar 3:08 05. Honey Do 2:52 06. Nobody's Here Anymore 4:03 07. I Will Walk With You 3:02 08. Rhubarb Pie 3:18 09. Wicked Old Witch 3:27 10. In The Garden John Fogerty: guitars, lead vocals, background vocals, pump organ Kenny Aronoff: drums Paul Bushnell: bass Bob Britt: electric slide guitar Benmont Tench: organ Alex Acuña: percussion Viktor Krauss: bass John O'Brian: drums/programming Eric Valentine: additional parts David Santos: bass George Hawkins Jr: background vocals Billy Burnette: background vocals Kelsy Fogerty: end vocal (4) Dean Parks: Rock-a-Billy guitar Aaron Plunkett: percussion Mark Knopfler: second lead guitar (right side) (6) Jerry Douglas: dobro Bob Applebaum/Michael DeTemple: mandolin
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genre: countrycountry: usquality : lossless (flac, cue, log, booklet scans) time: 49'26" size: 383 mb issue: 2004 remaster "Southern Streamline" – 3:56 "Hot Rod Heart" – 3:26 "Blueboy" – 4:04 "A Hundred and Ten in the Shade" – 4:19 "Rattlesnake Highway" – 4:17 "Bring it Down to Jelly Roll" – 2:37 "Walking in a Hurricane" – 3:41 "Swamp River Days" – 3:36 "Rambunctious Boy" – 3:51 "Joy of My Life" – 3:52 "Blue Moon Nights" – 2:33 "Bad Bad Boy" – 4:26 bonus 2004 remaster: "Just Pickin'" (Freddie King) – 2:08 "Endless Sleep" (Jody Reynolds, Dolores Nance) – 2:36
John Fogerty: vocals, acoustic guitar, electric guitar, lap steel guitar, dobro, bouzouki, mandolin, sitar, organ, tambourine Donald "Duck" Dunn, Howie Epstein, John Clayton, Michael Rhodes, Phil Chen, Bob Glaub: bass Kenny Aronoff: drums, percussion Chester Thompson, Vinnie Colaiuta, Eddie Bayers, Jeff Donavan, Chad Smith: drums Luis Conte: claves, maracas, tambourine, percussion The Lonesome River Band: backing vocals (on "Southern Streamline" and "Rambunctious Boy") The Waters: backing vocals (on "Blueboy") The Fairfield Four: backing vocals (on "A Hundred and Ten in the The Shade")
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genre: prog
country: yugoslavia
quality : lossless (ape, cue, log, covers)
time: 50`13"
size: 220 mb
issue: Wydawnictwo 21 (Poland)
From LetItRock :
Yugoslavia, the most open of all the communist countries, saw many classic albums by Anglo rockers released so it's a little wonder that its scene thrived with bands capable of rivalry if allowed to go West. POP MASINA, a powerful vehicle, played progressive-tinged blues rock of a GUN kind that swoops on you from the blistering bass and guitar work of "Na Drumu Za Haos", melodic priority given to instruments rather than voice, and it's just a teaser as the song ends all too soon for "Pesma Srecne Noci" to come in. A thin slice of organ elegantly underlines jaunty vocals contrasting with dramatic feel the trio renders skilfully - live, this could expand onto CREAM territory.
Track sequencing is important here and, after the rumble, quiet "Mir" with "Planet Caravan"-like solo comes very fittingly to be followed by "Kiselina" sporting jazzy groove and eerie electric piano and guitar improvisation. "Kiselina" meaning "Acid" eats into you, indeed - more so in "Trazim Put", a raga color sprayed onto rock'n'roll canvas in the vein of BLIND FAITH when guitar solo is a main attraction but it can soften, and "Povratak Zvezdama" proves an arresting instrumental wail. "Svemirska Prica" in its early SABBATH turn signals return to the album beginning (a single version added was recorded a month later and appears a bit more interesting) yet acoustically-dominated "Slika Iz Proslih Dana" adorned with flute, though exqusite, lacks the edge so, to round the opus, here's a short shuffle of "Jark".
Few bonus tracks, recorded before and after "Kiselina" serve for catching the MASINA in motion - what a pity, it went off the rails.
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genre: psychcountry: usquality : mp3 (128k, cover) time: 21'56" size: 21 mb Fuzz Acid & Flowers: Originally from Sauk City, Wisconsin, this band was based in Detroit . The Capitol LP is notable for the side-long psychedelic rework of John Coltrane's India. It was produced by John Rhys and recorded at Ter Shirma Studios, Detroit. All the tracks on side one were group compositions. The album also crept into the U.S. Album Charts peaking at No 197. (Vernon Joynson / Max Waller / Stephane Rebeschini)
01. You Make Me Feel Good 2:31
02. Sitting By The Sea 2:59
03. Heard The News 4:49
04. I Do Love Her 2:47
05. Yes I Know 2:30
06. Get On My Swing 3:00
07. Walking Along 3:20
KENNETH BERDOLL bs, vcls JOHN KONDOS gtr, keyb'ds, flute NICK KONDOS drms, vcls PATRICK McCARTHY keyb'ds, trombone DANIEL VINCENT PEIL vcls GERARD JON SMITH ld gtr, vcls
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genre: blues
country: uk
quality : lossless (ape, cue, log, scans)
time: 1:08'42"
size: 248 mb
"Sweet Wine" (Baker, Godfrey) – 3:27
Eric Clapton Interview – 0:54
"Wrapping Paper" (Bruce, Brown) – 2:29
"Rollin' and Tumblin'" (Waters) – 3:02
"Steppin' Out" (Bracken) – 1:50
"Crossroads" (Johnson, arr. Clapton) – 1:53
"Cat's Squirrel" (Traditional, arr. S. Splurge) – 3:38
"Traintime" (Bruce) – 2:50
"I'm So Glad" (James) – 4:22
"Lawdy Mama" (Traditional, arr. Clapton) – 1:53
Eric Clapton Interview 2 – 0:48
"I Feel Free" (Bruce, Brown) – 2:54
"N.S.U." (Bruce) – 2:55
"Four Until Late" (Johnson, arr. Clapton) – 1:55
"Strange Brew" (Clapton, Pappalardi, Collins) – 3:00
Eric Clapton Interview 3 – 0:44
"Tales of Brave Ulysses" (Clapton, Sharp) – 2:55
"We're Going Wrong" (Bruce) – 3:25
Eric Clapton Interview 4 – 0:37
"Born Under a Bad Sign" (Jones, Bell) – 3:03
"Outside Woman Blues" (Reynolds) – 3:18
"Take It Back" (Bruce, Brown) – 2:17
"Sunshine Of Your Love" (Clapton, Bruce, Brown) – 4:08
"Politician" (Bruce, Brown) – 3:59
"SWLABR" (Bruce, Brown) – 2:32
"Steppin' Out" (Bracken) – 3:37
* Eric Clapton (vocals, guitar);
* Jack Bruce (vocals, harmonica, piano, bass);
* Ginger Baker (vocals, drums).
Additional personnel: Brian Matthew (spoken vocals).
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genre: heavy
country: us
quality : lossless (ape, cue, log, scans)
time: 39'32"
size: 230 mb
"Big Apple Dreamin' (Hippo)" (Alice Cooper, Glen Buxton, Michael Bruce, Dennis Dunaway, Neal Smith) - 5:10
"Never Been Sold Before" (Cooper, Buxton, Bruce, Dunaway, Smith) - 4:28
"Hard Hearted Alice" (Cooper, Bruce) - 4:53
"Crazy Little Child" (Cooper, Bruce) - 5:03
"Working Up a Sweat" (Cooper, Bruce) - 3:32
"Muscle of Love" (Cooper, Bruce) - 3:45
"Man With the Golden Gun" (Cooper, Buxton, Bruce, Dunaway, Smith) - 4:12
"Teenage Lament '74" (Cooper, Smith) - 3:53
"Woman Machine" (Cooper, Buxton, Bruce, Dunaway, Smith) - 4:31
Alice Cooper – vocals
Glen Buxton – lead guitar
Michael Bruce – rhythm guitar
Dennis Dunaway – bass guitar
Neal Smith – drums
Mick Mashbir – guitar
Steve "Deacon" Hunter – guitar
Dick Wagner – guitar
Bob Dolin – keyboards
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genre: prog
country: uk
quality : lossless (wavpack, cue, log, scans)
time: 35`11" size: 194 mb
issue: MFSL MFCD 846
Simple Sister (Brooker, Reid)
Broken Barricades (Brooker, Reid)
Memorial Drive (Robin Trower - Keith Reid)
Luskus Delph (Brooker, Reid)
Power Failure (Brooker, Reid)
Song for a Dreamer (Robin Trower, Reid)
Playmate of the Mouth (Brooker, Reid)
Poor Mohammed (Robin Trower, Reid)
Gary Brooker (voice, piano)
Robin Trower (guitar)
Chris Copping (bass, organ)
Barrie James "B.J." Wilson (drums)
Keith Stuart Brian Reid (lyricist)
'Broken Barricades' may be Procol Harum's greatest album. It features lots of great guitar work from Robin Trower, and unlike their previos effort, 'Home,' the lyrics are not as downer. 'Broken Barricades' is a classic album, and a true must-have album.
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genre: soulcountry: usquality : mp3 (128k, scans) time: 59'26" size: 76 mb Wiki"Touch the Hem of His Garment" "Lovable" "You Send Me" "Only Sixteen" "(I Love You) For Sentimental Reasons" "Just for You" "Win Your Love (For Me)" "Everybody Loves to Cha Cha Cha" "I'll Come Running Back to You" "You Were Made for Me" "Sad Mood" "Cupid" "Wonderful World" "Chain Gang" "Summertime" "Little Red Rooster" "Bring It on Home to Me" "Nothing Can Change This Love" "Sugar Dumpling" "(Ain't That) Good News" "Meet Me at Mary's Place" "Twistin' the Night Away" "Shake" "Tennessee Waltz" "Another Saturday Night" "Good Times" "Having a Party" "That's Where It's At" "A Change Is Gonna Come" "Jesus Gave Me Water"
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genre: soulcountry: usquality : mp3 (320k, scans) time: 38'54" size: 101 mb issue: 2005Wiki"Soul Twist/Introduction" (Curtis Ousley) – 1:23 "Feel It (Don't Fight It)" (Sam Cooke) – 2:54 "Chain Gang" (Cooke) – 3:11 "Cupid" (Cooke) – 2:44 "Medley: It's All Right/For Sentimental Reasons" (Cooke, Deke Watson, William Best) – 5:11
" Twistin' the Night Away" (Cooke) – 5:18 "Somebody Have Mercy" (Cooke) – 6:18 "Bring It On Home to Me" (Cooke) – 4:08 "Nothing Can Change This Love" (Cooke) – 2:39 "Having a Party" (Cooke) – 5:03
Sam Cooke – vocals King Curtis – saxophone Clifton White – guitar Cornell Dupree – guitar Jimmy Lewis – bass Albert "June" Gardner – drums Tate Houston – saxophone George Stubbs – Piano
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genre: jazz
country: uk
quality : lossless (flac, cue, log, booklet scans)
time: 50'20"+38'59" size: 586 mb
issue: 2004 remaster
Disc 1 Valentyne Suite :
side A:
"The Kettle" (Heckstall-Smith/Hiseman) – 4:28
"Elegy" (Litherland) – 3:13
"Butty's Blues" (Litherland) – 6:45
"The Machine Demands a Sacrifice" (Litherland/Heckstall-Smith/Brown/Hiseman) – 3:54
side B:
"Valentyne Suite Theme One: January's Search" (Greenslade/Hiseman) – 6:20
"Valentyne Suite Theme Two: February's Valentyne" (Greenslade/Hiseman) – 3:36
"Valentyne Suite Theme Three: The Grass Is Always Greener" (Heckstall-Smith/Hiseman) – 6:57
Bonus tracks:
06. Arthur's Moustache (Top Gear Session) 6:32
07. Lost Angeles (Top Gear Session) 8:38
Dave Greenslade - Hammond organ, vibraphone, piano, backing vocal on "The Machine Demands a Sacrifice"
Dick Heckstall-Smith - saxophones, flute on "The Machine Demands a Sacrifice"
Jon Hiseman - drums, machine on "The Machine Demands a Sacrifice"
James Litherland - guitars, lead vocals
Tony Reeves - bass guitars
Disc 2 The Grass Is Greener :
Side 1
"Jumping Off The Sun" (Taylor/Tomlin) – 3:00
"Lost Angeles" (Greenslade/Heckstall-Smith) – 5:30
"Elegy" (Litherland) – 3:26
"Butty's Blues" (Litherland) – 6:45
Side 2
"Rope Ladder To The Moon" (Bruce/Brown) – 3:42
"Bolero" (Ravel) – 5:28
"The Machine Demands A Sacrifice" (Litherland/Hiseman/Brown) – 2:48
"The Grass Is Greener" (Heckstall-Smith/Hiseman) – 7:31
Dave Greenslade - Organ, Keyboards, Vocals
Dick Heckstall-Smith - Saxophone
Jon Hiseman - Drums
Dave "Clem" Clempson - Guitar, Vocals
Tony Reeves - Bass
James Litherland - Vocals (on "Elegy")
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genre: psych, blues
country: us
quality : lossless (flac, cue, log, booklet scans)
time: 1:16'24"
size: 486 mb
Wiki
"Tarotplane" – 19:08
"25th Century Quaker" – 9:50
"Mirror Man" – 15:46
"Kandy Korn" – 8:06
"Trust Us" (Take 6) – 7:14
"Safe as Milk" (Take 12) – 5:00
"Beatle Bones n' Smokin' Stones" – 3:11
"Moody Liz" (Take 8) – 4:32
"Gimme Dat Harp Boy" – 3:32
Captain Beefheart – vocals, harmonica, and musette
Jeff Cotton – guitar
John French – drums
Jerry Handley – bass
Alex St. Clair Snouffer – guitar
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genre: prog
country: uk
quality : lossless (ape, cue, log, booklet scans)
time: 1:11'26" size: 425 mb
issue: 2002 remaster
Wiki
Side One
"Aristillus" (Andrew Latimer) – 1:56
"Song Within a Song" (Peter Bardens, Latimer) – 7:14
"Chord Change" (Bardens, Latimer) – 6:44
"Spirit of the Water" (Bardens) – 2:07
Side Two
"Another Night" (Latimer, Bardens, Andy Ward) – 6:57
"Air Born" (Bardens, Latimer) – 5:01
"Lunar Sea" (Bardens, Latimer) – 9:10
Bonus Tracks on 2002 Remaster
"Another Night" (Single Version) – 3:22
"Spirit of the Water" (Demo) – 2:13
"Song Within a Song" (Recorded Live at Hammersmith Odeon) – 7:11
"Lunar Sea" (Recorded Live at Hammersmith Odeon) – 9:51
"Preparation / Dunkirk" (Recorded Live at Hammersmith Odeon) - 9:32
Andrew Latimer: guitar, vocals
Peter Bardens: keyboards, vocals
Doug Ferguson: bass, vocals
Andy Ward: drums, percussion
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genre: blues country: us quality : lossless (alac, tracks) time: 51`36" size: 534 mb Armed with one of the most distinctive voices in popular music--a gravely, smoke-scratched rasp that crosses Joe Cocker and Louis Armstrong at the end of a particularly bad bender--Tom Waits has spent the past two decades writing and performing some of the most fascinating and creatively stimulating music around. Bringing acute intelligence to a seemingly casual (and dissolute) sensibility, Waits' lyrics read as if they were written in some eerie collaboration with the likes of (depending on the LP) Mickey Spillane, Charles Bukowski or Captain Beefheart. Waits' career generically divides into two periods: the melodic, barroom jazz-poet sound of his Asylum years (1973-'80), and the harmonic dissonance of his Island releases, beginning in 1983. But within such parameters, Waits has repeatedly changed direction and kept things interesting. The debut, Closing Time, shows the young Californian at his least confident and most vulnerable, searching for a sound but having his work whitewashed by Jerry Yester's formulaic production. While his artistry and originality are evident in such emotive tracks as "I Hope That I Don't Fall in Love with You" and "Martha," the album is polluted by attempts to shoehorn Waits into a bland singer/songwriter mold. Overburdened by acoustic guitars and occasional backing singers, the songs don't focus enough on Tom's expressive lyrics or vocal talents.
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genre: progcountry: ukquality : lossless (wv separate, scans) time: 42'33" size: 280 mb issue: 2003Tapestry of Delights: A short-lived progressive/hard-rock outfit. The album is now quite sought-after. Except When My Momma's Not At Home, which is essentially a mainstream rock 'n' rollin' piece with a brass arrangement, the remaining tracks, Sonata In Z, Have I Left The Gas On?, A Skeleton In Armour and Talk To The Man In The Sky are superb, especially the first two. Sophisticated compositions with astonishing and strong female vocals, superb manic guitar leads, powerful drumming, electric piano, flute and harmonica solos make this recommended listening. (CA).
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genre: popcountry: ukquality : mp3 (lqvbr, scans) time: 1:14'59" size: 81 mb Wiki1. Halfway To Paradise 2:492. Maybe Tomorrow 2:293. Margo 2:154. Colette 2:295. That's Love 2:196. Wondrous Place 2:397. A Thousand Stars 2:478. Don't Worry 1:569. Jealousy 1:5410. I'd Never Find Another You 2:5011. Letter Full Of Tears 2:3212. Last Night Was Made For Love 2:0513. Once Upon A Dream 3:0814. Because Of Love 2:3215. Like I've Never Been Gone 3:1816. When Will You Say I Love You 2:1517. In Summer 2:3518. Somebody Else's Girl 2:1219. Do Really Love Me Too 1:5120. I Will 2:2721. It's Only Make Believe 2:5422. I'm Lost Without You 2:2823. In Thoughts Of You 2:3724. Run To My Loving Arms 2:3325. I'll Never Quite Get Over You 2:4326. Give Me Your Word 2:1827. Love Or Money 3:1428. Devil Or Angel 3:2929. Forget Him 3:19
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genre: beatcountry: usquality : lossless (flac, cue, log, booklet scans) time: 57'10" size: 363 mb issue: 1990Wiki01. Thunder Reef 1:50 02. Wolfman 2:46 03. She's My Girl 2:34 04. King of the Wheels 2:04 05. The Lonely Dragster 3:12 06. The Phantom Dragster 1:25 07. KRLA Top Eliminator 2:48 08. Let Her Dance 2:33 09. Julie 2:17 10. A New Shade of Blue 2:58 11. Only When I Dream 2:01 12. You Kiss Me 2:37 13. Little Annie Lou 2:02 14. I Fought the Law 2:19 15. Another Sad and Lonely Night 2:21 16. Saturday Night 1:38 17. Take My Word 2:12 18. Fool of Love 2:39 19. Never To Be Forgotten 2:58 20. Love's Made a Fool of You 2:02 21. Don't Ever Let Me Know 2:41 22. My True Love 2:06 23. The Magic Touch 2:54 24. I'm a Lucky Guy 2:13 The Bobby Fuller Four: Bobby Fuller - Guitar/Piano/Vocals Randy Fuller - Bass Jim Reese - Rhythm Guitar Dewayne Quirico - drums
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Style: beat Country: us Audio: mp3 320k Size: 140mb Fuzz Acid & Flowers: With his blatant reverence for Buddy Holly, fellow Texan Bobby Fuller (born October 22nd, 1942) was a bit of an anomaly in the mid-sixties. With his Stratocaster guitar and brash, full sound, at his best Fuller sounded like Holly might have had he survived into the sixties. Cracking the Top 30 in 1966 with a cover of Holly's Love's Made A Fool Of You, and then the Top Ten with I Fought The Law (written by one-time Cricket Sonny Curtis and featuring future Moby Grape guitarist Jerry Miller), Fuller had just become a star when he died in mysterious circumstances in a parked car in Hollywood (the police thought it was a suicide, just about everyone who knew him disagreed). Fuller's relatively short period of national stardom actually crowned a good half-dozen years of recording, during which he released many outstanding tracks. After a few local singles in his hometown of El Paso in the early sixties, he moved to California with his combo in 1964, and briefly had aspirations of playing surf music before hooking up with producer Bob Keene. In the short time he recorded for Mustang in 1965 and 1966, he waxed quite a few fine tracks (most self-penned) besides his hits, including Let Her Dance, Another Sad And Lonely Night, My True Love, Never To Be Forgotten, Fool Of Love, and The Magic Touch. Rocking, tuneful and infectiously joyous, they showed Fuller to be a worthy inheritor of early rock 'n' roll and rockabilly traditions without sounding self-consciously revivalist. While it's hard to imagine Fuller maintaining his success in the era of psychedelia, he no doubt would have gone on to produce interesting work. A talented and prolific songwriter and a studio wiz who drew from Eddie Cochran and (though only slightly) the full guitar sound of the British Invasion as well as Buddy Holly, he recorded a great deal of unreleased studio and live material that was issued in the 1980s, when the depth of his loss began to be appreciated. His brother Randy later joined Blue Mountain Eagle and Dewey Martin's Medecine Show. (Vernon Joynson / James Lucas / Stephane Rebeschini)
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genre: progcountry: uk quality : lossless (ape, cue, log, booklet scans) time: 1:12'01" size: 370 mb issue: 1996
the Tapestry of Delights: McCusker put this techno-rock outfit together in Belfast in the early seventies although they later relocated to London. They were a popular band in the club/college circuit but never broke into the big league. Musically they were similar to Yes and Genesis, classically inclined progressive pop/rock. All titles on their first album were composed by McCusker and arranged by McCusker and Houston. It was produced by Denis Taylor. Farrelly was responsible for the beautiful cover painting. All the tracks on the album are good examples of classically-tinged progressive rock, with good string arrangements and often melodramatic keyboards. Farrelly did the cover artwork for their Seven Secrets album too. This was similar in style, although some tracks had a hint of medieval-influenced instrumentation such as the opener, Faced With Shekinah, which was penned by Houston. There are more fine McCusker songs, too, notably White Eyes. Elizabeth is a predominantly instrumental number with some beautiful piano pieces, penned by Houston, though the final track, The Seventh Secret was a throwaway number. Houston left after this album with John Mason coming in as a replacement. Produced by Ian McDonald, Modern Masquerades is a little less classically-influenced than their earlier efforts. McCusker's Masquerading With Dawn and Mystery Might are excellent tracks with some at times captivating instrumentation. John Mason contributed two tracks, too - the sad Gormenghast and the finale, Sheba's Song.
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genre: progcountry: ukquality : lossless (flac, cue, log, scans) time: 43'55" size: 281 mb 1. God Save the King (13:13) 2. Under Heavy Manners (4:56) 3. Heptaparaparshinokh (2:07) 4. Inductive Resonance (4:37) 5. Cognitive Dissonance (2:56) 6. Dislocated (4:35) 7. H.G. Wells (3:27) 8. Eye Needles (3:14) 9. Trap (4:42)- Robert Fripp / guitar - Sara Lee / bass - Barry Andrews / organ - Johnny Toobad / drums (3 & 6) - Kevin Wilkinson / drums (4, 5, 7, 8 & 9) Including: - David Byrne / vocals (2) - Paul Duskins / disco drums (1 & 2) - Buster Jones / disco bass (1 & 2)
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genre: psych
country: us
quality : lossless (flac, cue, log, scans)
time: 47'40"
size: 265 mb
Fuzz Acid & Flowers:
A Boston group whose sole album, recorded at CBS Studios in New York, is excellent - full of the acid imagery which typified the Bosstown sound in 1968. Almost every track is of interest. For example Land Of Diana has a compelling organ intro, Visions Of My Own some fine woodwind instrumentation and Inside People unusual fuzztone vocals and pleasing keyboards.
In the mid-'70s, Bob Margolin became a member of Muddy Waters' band and he later played with the Johnny Winter Group. He is still touring and recording Chicago Blues albums. Nick Carstoiu too remains active in the music scene.
In 1978, Mike Spiros released, as "Mic Spiros and the ITMB (Incredible Two Man Band)", a rare album of atmospheric prog rock based on keyboards and synthesizers. ~ (Vernon Joynson/Max Waller/Stephane Rebeschini/Joe Rein)
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genre: blues
country: uk
quality : lossless (flac, cue, log, booklet scans)
time: 1:04'40" size: 404 mb
issue: 2001 remaster
Wiki
"Wishing Well" (Rodgers/Kirke/ Yamauchi/Kossoff/Bundrick) 3.43
"Come Together In The Morning" (Rodgers) 4.38
"Travellin' in Style" (Rodgers/Kirke/ Yamauchi/Kossoff
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genre: bluescountry: ukquality : lossless (flac, cue, log, booklet scans) time: 1:05'39" size: 409 mb issue: 2001 remaster "Catch A Train 3.32 "Soldier Boy" 2.51 "Magic Ship" 5.22 "Sail On" 3.05 "Travellin' Man" 3.23 "Little Bit of Love" 2.34 "Guardian of the Universe 5.32 "Child" 5.18 "Goodbye" 5.05 Extra tracks "Burnin' (Molten Gold)" (Kossoff) (Alternative take) 5.57 "Honky Tonk Women" (Jagger/Richards) 3.13 "Magic Ship" (Alternative mix) 5.28 "Little Bit of Love" (Alternative mix) 2.37 "Guardian of the Universe" (Solo version) 6.07 "Child" (Early mix) 5.20Andy Fraser - bass; Simon Kirke - drums, percussion; Paul Kossoff - guitar; Paul Rodgers - vocals.
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genre: bluescountry: ukquality : lossless (flac, cue, log, booklet scans) time: 1:10’26” size: 438 mb issue: 2001 remaster Wiki01. I'll Be Creepin' 3:3102. Songs of Yesterday 3:3703. Lying in the Sunshine 3:5904. Trouble on Double Time 3:2705. Mouthful of Grass 3:4006. Woman 3:5307. Free Me 5:2708. Broad Daylight 3:1909. Mourning Sad Morning 5:13bonus: 10. Broad Daylight (Single Version) 3:1211. The Worm (Single Version) 3:0612. I'll be Creepin' (Single Version) 2:5113. Sugar for Mr Morrison (Single Version) 3:0314. Broad Daylight (BBC Session) 3:2315. Songs of Yesterday (BBC Session) 3:1416. Mouthfull of Grass (Solo Version) 3:3717. Woman (Alternative Version) 4:0318. Trouble on Double Time (Early Version) 2:4019. Mourning Sad Morning (Alternative Version)Andy Fraser - bass; Simon Kirke - drums, percussion; Paul Kossoff - guitar; Paul Rodgers - vocals. Chris Wood - flute
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genre: bluescountry: ukquality : lossless (256k, scans) time: 36'51" size: 71 mb misc.: compil. "Need Your Love So Bad" (Little Willie John) "Coming Home" (Elmore James) "Rambling Pony" (Peter Green) "The Big Boat" (Eddie Boyd) * "I Believe My Time Ain't Long" (Jeremy Spencer) "The Sun Is Shining" (Spencer) "Albatross" (Green) "Black Magic Woman" (Green) "Just The Blues" (Eddie Boyd) * "Jigsaw Puzzle Blues" (Danny Kirwan) "Looking For Somebody" (Green) "Stop Messin' Round" (Green, Clifford Adams) * Credited to "Eddie Boyd with Fleetwood Mac"Peter Green – vocals, guitar, harmonica Jeremy Spencer – vocals, slide guitar Danny Kirwan – vocals, electric guitar on tracks 7 and 10 (original release); 5, 7 and 8 (2004 release) John McVie – bass guitar Mick Fleetwood – drums Eddie Boyd – vocals, piano on tracks 4 and 9 (original release)
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genre: bluescountry: uk quality : lossless (flac, cue, log, scans) & mp3 (256k, scans) time: 35'47" size: 266 or 75 mb "My Heart Beat Like a Hammer" (Jeremy Spencer) – 3:31 "Merry-Go-Round" (Peter Green) – 4:19 "Long Grey Mare" (Green) – 2:12 "Hellhound on My Trail" (Robert Johnson) – 2:04 "Shake Your Moneymaker" (Elmore James) – 3:11 "Looking for Somebody" (Green) - 2:49 "No Place to Go" (Howlin' Wolf) - 3:20 "My Baby's Good to Me" (Spencer) – 2:49 "I Loved Another Woman" (Green) – 2:54 "Cold Black Night" (Spencer) – 3:15 "The World Keep On Turning" (Green) – 2:27 "Got to Move" (E. James, Sehorn) – 3:18Peter Green – vocals, guitar, harmonica Jeremy Spencer – vocals, slide guitar, piano John McVie – bass guitar Mick Fleetwood – drums Bob Brunning – bass guitar on "Long Grey Mare"
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Style: bluesCountry: uk Audio: lossless (flac, cue, log, scans) Size: 306 mb misc: 1996 "Stop Messin' Round" (Clifford Adams, Peter Green) – 2:22 "I've Lost My Baby" (Jeremy Spencer) – 4:18 "Rollin' Man" (Adams, Green) – 2:54 "Dust My Broom" (Elmore James, Robert Johnson) – 2:54 "Love That Burns" (Adams, Green) – 5:04 "Doctor Brown" (J. T. Brown, W. Glasco) – 3:48 "Need Your Love Tonight" (Spencer) – 3:29 "If You Be My Baby" (Adams, Green) – 3:54 "Evenin' Boogie" (Spencer) – 2:42 "Lazy Poker Blues" (Adams, Green) – 2:37 "Coming Home" (James) – 2:41 "Trying So Hard to Forget" (Adams, Green) – 4:47
Peter Green – vocals, guitar, harmonica Jeremy Spencer – vocals, slide guitar John McVie – bass guitar Mick Fleetwood – drums
Additional personnel: Christine Perfect – keyboards, piano, vocals Duster Benenett – harmonica Steve Gregory – alto saxophone Dave Howard – alto saxophone Johnny Almond – tenor saxophone Roland Vaughan – tenor saxophon
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genre: folk, psychcountry: usquality : mp3 (256k, scans) time: 38`19"+27’25” size: 127 mb misc.: recorded '69/'70Forced Exposure: This is the first and second album by young bohemian Americans Fingletoad, Strange & Siho. Their self-titled first album was recorded in 1969 in Chicago as Fingletoad & Strange, and very few acetates were pressed. The follow-up Mazzola was recorded in 1970, and perhaps less than 100 records were pressed. This double CD includes all original songs from both albums, taking the listener on a psychedelic trip merging imaginary landscapes and dreamy folk with teenage angst. Clearly influenced by the top musicians of the time, The Beatles, Neil Young and Jimi Hendrix, they undoubtedly manage to create a sound all their own ranging from beautiful lyrical ballads with harmony vocals to over-the-top fuzz and feedback frenzy. All professionally executed while still retaining a garage atmosphere and production, creating the perfect mix.
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genre: sympho progcountry: italyquality : lossless (flac, cue, log, scans) time: 31'53" size: 260 mb issue: japan ItalianProg: Little is known about this band from Bari, except the name of three of their five members that three years later reappeared in jazz-rock band Baricentro. Diario di viaggio della Festa Mobile is a fantasy concept album, with large space given to keyboards and vocals a bit too low compared to the musical background. The album has its good moments though not one of the best in the symphonic prog style. Some jazz influences are evident. Brothers Boccuzzi and bassist Napolitano formed Il Baricentro with two albums in 1976 and 1978 on EMI; Giovanni Boccuzzi has had an intense activity as music composer, teacher, writer until now. 1. La Corte di Hon (4:57) 2. Canto (6:11) 3. Aristea (5:05) 4. Ljalja (6:53) 5. Ritorno (8:43)
- Francesco Boccuzzi / keyboards - Giovanni Boccuzzi / keyboards, guitar - Tonio Napolitano / bass + 2 other members not mentioned
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genre: bluescountry: usquality : lossless (ape, cue, log, scans) time: 41'57" size: 284 mb Fuzz Acid & Flowers: A local Massachusetts rural rock outfit, their first album is now catching on with collectors. The first 45 features two album cuts, but the second 45 tracks are non-album. They apparently had a long local career as they recorded a rare second album in 1975, which is reputedly more polished than the first one. (Vernon Joynson / Max Waller / Stephane Rebeschini)
01. House On The Corner 3:06 02. Black Sunday 3:20 03. Mine Eyes Have Seen 4:11 04. Lonely Lady 4:46 05. Journey 5:02 06. Shape Iґm In 2:29 07. Country Girl 5:44 08. Over The Hill 3:12 09. Duck Sweat 4:04 10. Highway 6:05James Kaminski (Guitar) William Benjamin (Vocals, Drums) James Kaminski (Guitar, Vocals) Guy DeVito (Bass, Vocals) Peter Newland (Vocals, Harmonica) Michael Benson (Guitar)
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genre: prog, krautcountry: germanyquality : mp3 (192k, scans) size: 218 mb misc.: 2cd compil. Disc 1: (77:05) 1. Epilog (1:54) 2. Winfrid's worte (1:42) 3. Live-intro '81 (4:17) 4. Razzia(remix) (7:07) 5. Die Panne von Osnabrück (4:15) 6. Vater Schmidt in Wuppertal (10:10) 7. Interview HLV-III (3:25) 8. Sweetwater (4:39) 9. Raintime-session (5:16) 10. Interview WDR-II (1:28) 11. Dimple Street (0:22) 12. Der Zauberer (3:57) 13. Sahara-show (6:07) 14. Bielefelder Sinfonie (15:17) 15. Interview AFN (0:39) 16. Solar impro (4:15) 17. Live-finale '81 (2:08)
Disc 2: (77:57) 1. Space-rider (6:08) 2. Lupo whips it out (2:34) 3. Illegal (10:48) 4. Solar Music (power play) (37:20) 5. Introduction '81 (9:46) 6. Goodbye Illegal (10:19)
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genre: neo progcountry: germanyquality : mp3 (192k, scans) time: 34'76" size: 50 mb 1. Der alte Freund (4:19) 2. Schweine im Weltall (4:05) 3. Poona-express (5:25) 4. Wir wollen leben (4:10) 5. Wir wollen sterben (3:36) 6. Remscheid (4:28) 7. Razzia (8:30)- Stefan Danielak (Wildschwein) / lead vocals, acoustic & rhythmic guitars - Joachim Ehrig (Eroc) / drums, f/x - Milla Kapolke / bass, backing vocals - Gerd-Otto Kühn (Lupo) / guitars - Toni Moff Mollo / vocals, keyboards
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genre: neo progcountry: germanyquality : mp3 (128k, scans) time: 45'24" size: 45 mb misc.: live 1. Snowflakes (4:45) 2. A.C.Y.M. (6:48) 3. Wuppertal Punk (8:02) 4. Beifall (1:25) 5. Waldeslied (4:37) 6. Coke-Train-Show (3:15) 7. Rockpommel's Land (16:36)- Stefan Danielak (Wildschwein) / lead vocals, rhythm guitar - Joachim Ehrig (Eroc) / drums, metal sheet f/x - Wolfgang Jäger (Popo) / bass - Volker Kahrs (Mist) / keyboards - Gerd-Otto Kühn (Lupo) / guitars - Toni Moff Mollo / vocals
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genre: neo progcountry: germanyquality : mp3 (192k, covers) time: 39'05" size: 55 mb 1. The sniffer (5:28) 2. Space-rider (4:49) 3. Mary Green (8:20) 4. Silent movie (3:15) 5. Joker (4:54) 6. Illegal (8:12) 7. Simple dimple (4:42) 8. Raintime (4:16)- Stefan Danielak (Wildschwein) / lead vocals, acoustic & rhythmic guitars - Joachim Ehrig (Eroc) / drums, f/x - Volker Kahrs (Mist) / keyboards, synthesizers, backing vocals - Milla Kapolke / bass, acoustic guitar, backing vocals - Gerd-Otto Kühn (Lupo) / guitars - Toni Moff Mollo / vocals, percussion - Nuki Nuk / tones
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genre: heavy r'n'blues
country: uk
quality : lossless (WavPack, cue, log, booklet scans)
time: 46'29" size: 260 mb
Tapestry of Delights:
The album was the work of a session group which comprised among others Deep Purple members, Ritchie Blackmore, Roger Glover and Ian Paice and Albert Lee and Big Jim Sullivan. It was masterminded by producer Derek Lawrence. It's basically R&B played in a hard rock style. It's mostly comprised of cover versions, including Creation's Makin' Time, and is notable for Earl Jordan's strong vocals.
"Ain't Nobody Home" (Jerry Ragovoy)
"Bullfrog" (Lawrence)*
"Walk a Mile in My Shoes" (Joe South)*
"My Baby Left Me" (Arthur Crudup)*
"Makin' Time" (Eddie Phillips)*
"Lawdy Miss Clawdy" (Lloyd Price)*
"I'm a Free Man" (Klingman)*
"Lovin' You is Good for me Baby" (Lawrence/Corlett/Hutton)*
"I Want You" (White)*
"Louisiana Man" (Doug Kershaw)
"Who Do You Love" (Ellas McDaniel)
*appeared on original vinyl
For contractual reasons, the musicians were billed under pseudonyms:
Albert Lee = Pinta
Matthew Fisher = Sorry
Ian Paice, of Deep Purple = Speedy
Tony Ashton = Bevy
Rod Alexander = Vicar
Chas Hodges = Sleepy
Earl Jordan = Jordan
Big Jim Sullivan = Boss
Ritchie Blackmore, of Deep Purple = Boots
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genre: prog
country: uk
quality : lossless (ape separate, scans)
time: 1:27'07" size: 486 mb
issue: 1995
Tapestry of Delights:
A heavy progressive outfit whose recordings all attract interest from collectors. Basically we're talking progressive symphonic rock here with a lush mellotron sound. The first album, which has been reissued on Beat Goes On with the original artwork, begins with a pretentious Introduction, which gives way to Heaven, an acoustic guitar and mellotron number followed by the heavier Hell, which is full of distorted vocals, unnerving keyboards and phased percussion. Side two kicks off with the more laid back Fugue In 'D' Minor, which features some pleasant guitar and harpsichord work. This is followed by the lengthy The Dream with frantic vocals, swirling keyboards and some thumping drum work.
Their second album came on the budget-priced Philips International label. It included the majestic Blood Red Sun, but the band folded soon after its release.
Vocalist Paul Davis later guested on the Jesus Christ Superstar album ("Peter") and recorded a solo album as Sandy Davis. Cowderoy later went on to work for Stiff Records.
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genre: bluesy prog
country: uk
quality : lossless (flac, cue, log, scans)
time: 43'22" size: 303 mb
issue: 2004
"Left and to the Back":
Goliath were one of several prog-folk acts to emerge almost exactly at the same time as the sixties faded, and whilst as a genre it didn't really have any big-hitting names like Pink Floyd or Led Zeppelin, it nonetheless ploughed its own particular furrow for a rather long period of time. Unlike many of their rivals (or perhaps we should say "fellow travellers") however, Goliath had a distinct blues influences to their work as well, and were probably one of the only acts of the era to combine raunchy vocals- courtesy of lead singer Linda Rothwell - with puffing flutes. As the various cultures clash and compete for your ear's attention across the grooves, it should be a tremendous mess, but amazingly it all hangs together very well.
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genre: psychcountry: australia/ukquality : mp3 (192k, covers) time: 46'30" size: 66 mb 1. Twenty-Two Meanings (46:30)
Daevid Allen (g) Harry Williamson (g) Steve Berry (g) Rob Calvert (ts) John Howley (p/voc) Tone (b) Greg Sheeham (per) Orlando Allen (d) Rob George (d)
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